a plainer face, blond hair, and was very heavyset.
A second photo showed another scene in the same nightclub, apparently the same night because Lottie and the pretty brunette were wearing the same clothes. Between the two women was a good-looking man in a suit who was about Lottie’s age—no identification in the caption.
Lottie stood at the man’s right, her armed linked through his. At the man’s left was the pretty brunette. She stood gazing at him, her hand on one of his broad shoulders. There was something about the brunette’s look that told me she felt more than mere friendship for the handsome man, and I wondered who she was.
I began to read the old article, and in the first few paragraphs was startled to learn that “Lottie Harmon” wasn’t a single person. Three people originally had formed the Lottie Harmon label—Lottie Toratelli, Harriet Tasky, and Lottie’s younger sister Mona Lisa Toratelli. However, it was Lottie who became the public face of the company. I checked the photos out again, wondering if the pretty brunette at the handsome man’s side was Mona Lisa Toratelli or Harriet Tasky.
The article brought up more questions than answers. The biggest? If Lottie Toratelli had returned to New York to resurrect the Lottie Harmon label, then what had happened to Harriet Tasky and Lottie’s sister, Mona Lisa? What had happened to the three women’s original partnership?
I saved my search results, printed the Trend article and the two photographs from the EightiesNeverDied.com Web site, then returned to Google.
This time I typed in “Lottie Toratelli.” I received one hit. That same Trend article I’d just read. I couldn’t believe it. “Just like that, Lottie Toratelli is no more,” I murmured.
Clearly, Lottie had taken pains to make sure she was only identified as Lottie Harmon in any future articles or photo captions. I didn’t have time to search all the Lottie Harmon references, so I quickly attempted to find out what had happened to her old partners.
First I typed in “Mona Lisa Toratelli.” I received seven results. Six didn’t tell me anything remarkable, but the seventh held something shocking—Mona Lisa Toratelli’s obituary filed by the Reuters news service.
Apparently the young woman had perished in 1988 in a tragic accident. Mona Lisa was described only as a “designer” for Lottie Harmon who had been on a gem-buying expedition in Bangkok, Thailand, when tragedy befell her. Details about her death were sketchy. It seemed Mona Lisa fell from a hotel balcony, but it was easy to read between the lines and see that authorities thought she might have jumped. The obituary also mentioned she was survived by a six-year-old daughter, but there was no reference to the father’s name or his whereabouts.
Harriet Tasky was somewhat easier to trace. A Google search led me to a Web site for a vintage clothing business in London called “Tasky’s Closet” which was owned and operated by Ms. Tasky. There was no home address or phone number for Harriet Tasky anywhere on the site, however, and the “Contact us” button was addressed to “The Webmaster.”
So, I thought, Mona Lisa is dead and Harriet Tasky is living across the Atlantic on a business venture of her own. I wondered if the original Lottie Harmon partnership had been dissolved as a result of Mona Lisa’s death. I also wondered if Lottie and Harriet had parted as friends, or if there had been any acrimony.
Lottie had been living in London, too. If Harriet had some sort of vendetta against her former partner, it seemed to me she would have attempted something before now…unless she was jealous of Lottie’s resurrecting the label.
I considered e-mailing “The Webmaster” a set of questions for Ms. Tasky, pretending to be a journalist looking for answers. It was pretty much a long shot, but it was worth a try—unfortunately, it would have to wait until later. At the moment, I had to check in on my own business. I glanced at my watch and winced, realizing my “ten minutes” of research had ended up taking over forty-five.
Before I raced down to the Blend’s main floor again, I grabbed the pages I’d downloaded from the printer bin. Because of the way it printed out, the last page of the article lay on top of the pile. Only then did I notice the byline on that decades old Trend magazine article—Breanne Summour, the current grand dame editor-in-chief of that very magazine. I bit back a curse. Like it or not, I would have to have