He rose easily to his feet, and I rose with him, for he had slipped his arms round my back and under my legs. “You, my darling, must vow to me on your honour never to fall down another staircase. But you’ve no idea how cruel it was to have you in my arms like this every night, thinking you should only ever be my friend Jane, so I shall indulge your desire to shift our plans from murder to other sins.”
We did exactly so.
At first there was great tenderness, and kissing until our lips were supple and rosy whilst he was still learning for himself that I was all right; and if later there was passion, and muffled cries, and Charles’s No, I want to hear you, please let me hear you, and expanses of skin being tasted until we were both panting with exertion and simple love, then it is not the polite place of autobiography to address the subject.
When we had more than once exhausted ourselves, however, and Charles in sleep rolled to his belly and I spent long minutes tracing the scar marring the muscles of his back, I thought that this would be the memory I would treasure best, and I was right. As soon as I could leave off stroking his skin, I touched the mark at my own neck and blessed it; for we are doers of deeds, he and I, and as such lose parts of our flesh along the way, and can only pray to meet friends and lovers who can help to stitch us back again, and that we can make them whole in turn.
• • •
I did not marry Charles Thornfield until some few years after I began sharing his bed.
I am today Jane Thornfield, née Steele—but I am also, though few outside the household saving Mr. Quillfeather know it, Jane Kaur. Sardar Singh performed the ceremony in June, in the garden at midnight as my mother would have wanted, as Charles and Sahjara looked on proudly. Mr. Singh filled a ceremonial iron bowl with clear water and then poured into it a quantity of sugar; this he stirred with one of the swords from the billiards room, a double-edged one, as he called out in his lion’s voice, “Sri Wahe Guruji Ka Khalsa, Sri Wahe Guruji Ki Fateh.”
The passage is a pretty one, even in English: “The Khalsa belong to God, and God’s truth will always prevail.”
Charles says that he does not care what sort of Jane I am so long as I am his Jane; Sardar says that he does not care what sort of Jane I am so long as I am my own Jane; Sahjara says that she does not care what sort of Jane I am so long as she is my Sahjara. Thus I am daily three Janes, and so the luckiest of all.
When corpses arrive at Highgate House, they speak to Charles, and he reports to Sam Quillfeather—sometimes they died naturally, but sometimes not, and these occasions are much preferable, for we share adventures, and I cannot imagine a happier circumstance than leading a life spiced with murder and intrigue alongside the man I love.
I hope that the epitaph of the human race when the world ends will be: Here perished a species which lived to tell stories.
We tell stories to strangers to ingratiate ourselves, stories to lovers to better adhere us skin to skin, stories in our heads to banish the demons. When we tell the truth, often we are callous; when we tell lies, often we are kind. Through it all, we tell stories, and we own an uncanny knack for the task. In Jane Eyre, the wise author writes, “Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive.” I have lived this—should we neglect the task of expressing our passions, our species should perish upon the vine, desiccated and desolate.
Mr. Rochester after being married to Miss Eyre announces that their honeymoon “will shine our life long; its beams will only fade over your grave or mine.” As I am not a prognosticator, and have been witness to myriad calamities, I can make no such claim regarding my own marriage. Confident I remain, however, and I find myself hopeful as well—if the world is wide enough for me to find someone, who knows what miracles lurk behind each and every closed door? Charles Thornfield and I are far from perfect; but we