song in public. Yeah! I looked up and met Nathaniel's gaze. I expected him to look pleased, or happy, or a lot of things, but that wasn't what was on his face. In fact, I couldn't read the expression on his face. It was serious again, but other than that... we stood there, staring at each other, while I tried to figure out what was happening, and I think he tried to work up to saying something. But what? What had him all serious-faced?
I had time to ask, "What, what's wrong?" then the next song came on. It was fast, with a beat, and I was so out of there. I let go of Nathaniel, stepped back, and had turned, and actually gotten a step away, before he grabbed my hand. Grabbed my hand and pulled me in against him so hard and so fast that I stumbled. If I hadn't caught myself with one arm around his body, I'd have fallen. I was suddenly acutely aware of the firmness of his back against my arm, the curve of his side cupped in the hollow of my hand. I was holding him so close to the front of my body that it seemed every inch of us from chest to groin pressed against one another. His face was painfully close to mine. His mouth so close it seemed a shame not to lay a kiss upon those lips.
His eyes were half-startled, as if I'd grabbed him, and I had, but I hadn't meant to. Then he swayed to one side and took me with him. And just like that we were dancing, but it was different from any dancing I'd ever done. I didn't follow his movements with my eyes, I followed them with my body. He moved, and I moved with him, not because I was supposed to, but for the same reason a tree bends in the wind, because it must.
I moved because he moved. I moved because I finally understood what they'd all been talking about; rhythm, beat, but it wasn't the beat of the music I was hearing, it was the rhythm of Nathaniel's body, pressed so close that all I could feel was him. His body, his hands, his face. His mouth was temptingly close, but I did not close that distance. I gave myself over to his body, the warm strength in his hands, but I did not take the kiss he offered. For he was offering himself in the way that Nathaniel had, no demand, just the open-ended offer of his flesh for the taking. I ignored that kiss the way I'd ignored so many others.
He leaned into me, and I had a moment, just a moment, before his lips touched mine, to say, no, stop. But I didn't say it. I wanted that kiss. That much I could admit to myself.
His lips brushed mine, gentle, then the kiss became part of the swaying of our bodies, so that as our bodies rocked, so the kiss moved with us. He kissed me as his body moved, and I turned my face up to him and gave myself to the movement of his mouth as I'd given myself to the movement of his body. The brush of lips became a full-blown kiss, and it was his tongue that pierced my lips, that filled my mouth, his mouth that filled mine. But it was my hand that left his back and traced his face, cupped his cheek, pressed my body deeper against his, so that I felt him stretched tight and firm under his clothes. The feel of him pressed so tight against my clothes and my body brought a small sound from my mouth, and the knowledge that the ardeur had risen early. Hours early. A distant part of me thought, Fuck. The rest of me agreed, but not in the way I meant it.
I drew back from his mouth, tried to breathe, tried to think. His hand came up to cup the back of my head, to press my mouth back to his, so that I drowned in his kiss. Drowned in the pulse and beat of his body. Drowned on the rhythms and tide of his desire. The ardeur allowed, sometimes, a glimpse into another heart, or at least their libido. I'd learned to control that part, but tonight it was as if my fragile control had been ripped away, and I stood pressed into the curves and firmness of Nathaniel's body