One
London, 2017
I’m that girl you think you know, but you can’t remember where from.
Lying is what I do for a living. It’s what I’m best at; becoming somebody else. The eyes are the only part of me I still recognize in the mirror, staring out beneath the made-up face of a made-up person. Another character, another story, another lie. I look away, ready to leave her behind for the night, stopping briefly to stare at what is written on the dressing room door:
AIMEE SINCLAIR
My name, not his. I never changed it.
Perhaps because, deep down, I always knew that our marriage would only last until life did us part. I remind myself that my name only defines me if I allow it to. It is merely a collection of letters, arranged in a certain order; little more than a parent’s wish, a label, a lie. Sometimes I long to rearrange those letters into something else. Someone else. A new name for a new me. The me I became when nobody else was looking.
Knowing a person’s name is not the same as knowing a person.
I think we broke us last night.
Sometimes it’s the people who love us the most that hurt us the hardest; because they can.
He hurt me.
We’ve made a bad habit of hurting each other; things have to be broken in order to fix them.
I hurt him back.
I check that I’ve remembered to put my latest book in my bag, the way other people check for a purse or keys. Time is precious, never spare, and I kill mine by reading on set between filming. Ever since I was a child, I have preferred to inhabit the fictional lives of others, hiding in stories that have happier endings than my own; we are what we read. When I’m sure I haven’t forgotten anything, I walk away, back to who and what and where I came from.
Something very bad happened last night.
I’ve tried so hard to pretend that it didn’t, struggled to rearrange the memories, but I can still hear his hate-filled words, still feel his hands around my neck, and still see the expression I’ve never seen his face wear before.
I can still fix this. I can fix us.
The lies we tell ourselves are always the most dangerous.
It was a fight, that’s all. Everybody who has ever loved has also fought.
I walk down the familiar corridors of Pinewood Studios, leaving my dressing room, but not my thoughts or fears too far behind. My steps seem slow and uncertain, as though they are deliberately delaying the act of going home; afraid of what will be waiting there.
I did love him, I still do.
I think it’s important to remember that. We weren’t always the version of us that we became. Life remodels relationships like the sea reshapes the sand; eroding dunes of love, building banks of hate. I told him it was over last night. I told him that I wanted a divorce, and I told him that I meant it this time.
I didn’t. Mean it.
I climb into my Range Rover and drive towards the iconic studio gates, steering towards the inevitable. I fold in on myself a little, hiding the corners of me I’d rather others didn’t see, bending my sharp edges out of view. The man in the booth at the exit waves, his face dressed in kindness. I force my face to smile back, before pulling away.
For me, acting has never been about attracting attention or wanting to be seen. I do what I do because I don’t know how to do anything else, and because it’s the only thing that makes me feel happy. The shy actress is an oxymoron in most people’s dictionaries, but that is who and what I am. Not everybody wants to be somebody. Some people just want to be somebody else. Acting is easy; it’s being me that I find difficult. I throw up before almost every interview and event. I get physically ill and am crippled with nerves when I have to meet people as myself. But when I step out onto a stage, or in front of a camera, as somebody different, it feels like I can fly.
Nobody understands who I really am, except him.
My husband fell in love with the version of me I was before. My success is relatively recent, and my dreams coming true signaled the start of his nightmares. He tried to be supportive at first, but I was never something he wanted to share. That said, each