hill was the biggest rock I’d ever seen. It curved upward and out from the hillside like the potbellied hull of a ship, but it had a top as flat as a table. I don’t remember much about that first trip other than eating Oreos, one after another, and feeling like I owned that whole portion of the woods. I also remember that when I came home, my stomach cramping from all the cookies, I was disappointed my parents hadn’t been more worried about me. I was positive I’d stayed away for hours and hours and hours, but the clock showed I’d been gone less than forty minutes. I decided then that the rock was special: that time didn’t move there.
I went there a lot that summer, whenever I needed to escape, and the summer after that. One time I was lying stretched out on top of the rock, staring at the sky all pink and purple like the stretch taffy at carnivals, and I saw hundreds of geese migrating, a perfect V. A single feather floated down through the air and landed directly next to my hand. I christened the place Goose Point, and for years kept the feather in a small, decorative box wedged into one of the stone ridges running along its underbelly. Then one day the box was gone. I figured it had been blown away during a storm, and searched through the leaves and undergrowth for hours and, when I couldn’t find it, cried.
Even after I quit horseback riding, I climbed up to Goose Point sometimes, though I went less and less. I went there one time in sixth grade after all the boys in gym class rated my butt as “too square.” I went there when I wasn’t invited to Lexa Hill’s sleepover birthday party, even though we’d been partners in science class and spent four months giggling over how cute Jon Lippincott was. Each time I came back home, less time had passed than I expected. Each time, I still told myself, though I knew it was stupid, that Goose Point was special.
Then one day Lindsay Edgecombe came into Tara Flute’s kitchen when I was standing there and put her face to mine and whispered, “Do you want to see something?” and in that moment my life changed forever. Since that day I’d never once been back.
Maybe that’s why I decide to take Izzy there, even though it’s absolutely freezing outside. I want to see if it’s still the same at all, or if I am. It’s important to me, for some reason. And besides, of all the things on my mental checklist, it’s the easiest. It’s not like a private jet’s just going to park itself outside my house. And skinny-dipping now will get me arrested or give me pneumonia or both.
So I guess this is the next best thing. And I guess that’s when it starts to hit me: the whole point is, you do what you can.
“Are you sure this is the right way?” Izzy’s bobbing next to me, wrapped in so many layers she looks like the abominable snowman. As usual she has insisted on accessorizing, and is wearing pink-and-black leopard-spotted earmuffs and two different scarves.
“This is the right way,” I say, even though at first I was positive we were in the wrong place. Everything is so small. The stream—a thin, frozen black trickle of water, and cobwebbed all over with ice—is no wider than a single step. The hill beyond it slopes gently upward, even though in my memory it’s always been a mountain.
But the worst part is the new construction. Someone bought the land back here, and there are two houses in different stages of completion. One of them is just a skeleton, rising out of the ground, all bleached wood and splinters and spikes, like a shipwreck washed up onto land. The other one is nearly finished. It’s enormous and blank-looking, like Ally’s house, and it squats there on the hill like it’s staring at us. It takes me a while to realize why: there are no blinds on any of the windows yet.
I feel heavy with disappointment. Coming here was obviously a bad idea, and I’m reminded of something my English teacher, Mrs. Harbor, once said during one of her random tangents. She said that the reason you can never go home again—we were studying a list of famous quotes and discussing their meaning, and that was one of them, by Thomas Wolfe, “You