surprise you now. Her voice, for instance, which is like the New Jersey state anthem played through an electric shaver.
The bald girl is emblematic of the problem. What the problem is is that for some reason you think you are going to meet the kind of girl who is not the kind of girl who would be at a place like this at this time of the morning. When you meet her you are going to tell her that what you really want is a house in the country with a garden. New York, the club scene, bald women—you're tired of all that. Your presence here is only a matter of conducting an experiment in limits, reminding yourself of what you aren't. You see yourself as the kind of guy who wakes up early on Sunday morning and steps out to pick up the Times and croissants. You take a cue from the Arts and Leisure section and decide to check out some exhibition—costumes of the Hapsburg Court at the Met, say, or Japanese lacquerware of the Muromachi period at the Asia Society. Maybe you will call that woman you met at the publishing party Friday night, the party you did not get sloppy drunk at, an editor at a famous publishing house even though she looks like a fashion model. See if she wants to check out the exhibition and maybe do an early dinner. You will wait until eleven a.m. to call her, because unlike you she may not be an early riser. She may have been out a little late, at a nightclub, say. It occurs to you that there is time for a couple sets of tennis before the museum. You wonder if she plays, but then, of course she would.
When you meet the girl who wouldn't et cetera, you will tell her that you are slumming, visiting your own six a.m. Lower East Side of the soul on a lark, stepping nimbly between the piles of garbage to the marimba rhythms in your head.
On the other hand, any beautiful girl, specifically one with a full head of hair, would help you stave off this creeping sense of mortality. You remember the Bolivian Marching Powder and realize you're not down yet. First you have to get rid of this bald girl because of the bad things she is doing to your mood.
In the bathroom there are no doors on the stalls, which makes it tough to be discreet. But clearly you are not the only person here to take on fuel. Lots of sniffling going on. The windows in here are blacked over, and for this you are profoundly grateful.
Hup, two, three, four. The Bolivian soldiers are back on their feet, off and running in formation. Some of them are dancing, and you must do the same.
Just outside the door you spot her: tall, dark and alone, half hiding behind a pillar at the edge of the dance floor. You approach laterally, moving your stuff like a bad spade through the slalom of a synthesized conga rhythm. She jumps when you touch her shoulder.
“Dance?”
She looks at you as if you had just suggested instrumental rape. “I do not speak English,” she says, after you ask again.
“Français?”
She shakes her head. Why is she looking at you that way, like there are tarantulas nesting in your eye sockets?
“You are by any chance from Bolivia? Or Peru?”
She is looking around for help now. Remembering a recent encounter with a young heiress's bodyguard at Danceteria—or was it New Berlin?—you back off, hands raised over your head.
The Bolivian soldiers are still on their feet, but they have stopped singing their marching song. You realize that we are at a crucial juncture with regard to morale. What we need is a good pep talk from Tad Allagash, who is nowhere to be found. You try to imagine what he would say. Back on the horse. Now we're really going to have some fun. Something like that. You suddenly realize that he has already slipped out with some rich hose queen. He is back at her place on Fifth Ave., and they are doing some of her off-the-boat-quality drugs. They are scooping it out of tall Ming vases and snorting it off of each other's naked bodies. You hate Tad Allagash.
Go home. Cut your losses.
Stay. Go for it.
You are a republic of voices tonight. Unfortunately, the republic is Italy. All these voices are waving their arms and screaming at one another. There's an