their soils are barren.”
Warfare and mayhem— it made Leto think of his father’s younger days, when he had charged out to fight battles for the Emperor, crushing a bloody rebellion on Ecaz, adventuring with his friend Dominic, who was now the Earl of House Vernius on Ix. In private times with Leto, the Old Duke often talked about those days with great fondness.
In the shadows of their box, Paulus heaved a too-loud sigh, not concealing his boredom. Lady Helena shot him a daggered glare, then returned her attention to the play, reconstructing her face to form a more placid smile in case anyone should look at her. Leto gave his father a crooked and sympathetic grin, and Paulus winked back at him. The Duke and his wife played their parts and fit their own comfortable roles.
Finally, on the stage below, the victorious Agamemnon arrived in a chariot, accompanied by his spoils-of-war mistress, the half-insane prophetess Cassandra. Meanwhile, Clytemnestra made preparations for her hated husband’s appearance, feigning devotion and love.
Old Paulus started to loosen the collar of his uniform, but Helena reached over quickly to pull his hand away. Her smile didn’t waver.
Seeing this ritual his parents often went through, Leto smiled to himself. His mother constantly struggled to maintain what she called “a sense of decorum,” while the old man behaved with far less formality. Though his father had taught him much about statecraft and leadership, Lady Helena had taught her son protocol and religious studies.
A daughter of Richese, Lady Helena Atreides had been born into a House Major that had lost most of its power and prestige through failed economic competitions and political intrigues. After being ousted from the planetary governorship of Arrakis, Helena’s family had salvaged some of its respectability through an arranged marital alliance with the Atreides; several of her sisters had been married off to other Houses.
Despite their obvious differences, the Old Duke had once told Leto he had truly loved Helena in the first years of their union. Over time, that had eroded, and he’d dabbled with many mistresses, possibly producing illegitimate children, though Leto was his sole official heir. As decades passed, an enmity built up between husband and wife, causing a deep rift. Now their marriage was strictly political.
“I married for politics in the first place, lad,” he had said. “Never should have tried to make it otherwise. At our station, marriage is a tool. Don’t muck everything up by trying to throw love into the mix.”
Leto sometimes wondered if Helena herself had ever loved his father, or if it had only been his title and station that she loved. Of late, she seemed to have assumed the role of Paulus’s royal caretaker; she constantly strove to keep him groomed and presentable. It bore as much on her own reputation as on his.
On the stage, Clytemnestra greeted her husband, strewing purple tapestries on the ground so he could walk on them rather than on the dirt. Amidst great pomp and fanfare, Agamemnon marched into his palace, while the oracle Cassandra, speechless in terror, refused to enter. She foretold her own death and the murder of the general; of course, no one listened to her.
Through carefully cultivated political channels, Leto’s mother maintained contacts with other powerful Houses, while Duke Paulus developed strong bonds with the common people of Caladan. The Atreides Dukes led their subjects by serving them and by paying themselves only what was fair from family business enterprises. This was a family of wealth, but not to excess— not at the expense of its citizens.
In the play, when the returning general went to his bath, his treacherous wife tangled him in purple robes and stabbed both him and his oracular mistress to death. “My gods! A deadly blow has befallen me!” Agamemnon wailed from offstage, out of sight.
Old Paulus smirked and bent over to his son. “I’ve killed many a man on the battlefield, and I have yet to hear one say that as he died!”
Helena hushed him.
“Gods protect me, another blow! I shall die!” cried the voice of Agamemnon.
While the audience was engrossed in the tragedy, Leto tried to sort through his thoughts of the situation, how it related to his own life. This was supposedly his family’s heritage, after all.
Clytemnestra admitted the murder, claiming vengeance against her husband for his bloody sacrifice of their daughter, for his whoring in Troy, and for blatantly bringing his mistress Cassandra into her own home.
“Glorious king,” wailed the chorus, “our affection is boundless, our