titled visitor). I began—though it might seem strange to say so—to take refuge in my melancholy. I courted it, and lost myself in it. Melancholy became so much part of my character that for long periods I could forget the cause.
So at last I became a man with an establishment of my own. There was one little blessing. It was assumed that I was married to the girl. So there was no ceremony. I don't think I could have gone through with that. My heart would not have taken the sacrilege. Privately, in the recesses of my heart, I took a vow of sexual abstinence, a vow of brahmacharya. Like the mahatma. Unlike him, I failed. I was full of shame. And I was very swiftly punished. I soon afterwards had to recognise that the girl was pregnant. That pregnancy, that distending of her stomach, that alteration of her already unattractive body, tormented me, made me pray that what I was witnessing wasn't there.
All my anxiety, when little Willie was born, was to see how much of the backward could be read in his features. Anyone seeing me bend over the infant would have thought I was looking at the little creature with pride. In fact, my thoughts were all inward, and my heart was sinking.
A little later, as he started to grow up, I would look at him without saying anything and feel myself close to tears. I would think, “Little Willie, little Willie, what have I done to you? Why have I forced this taint on you?” And then I would think, “But that is nonsense. He is not you or yours. His face makes that plain. You have forced no taint on him. Whatever you gave him has disappeared in his wider inheritance.” But some little hope for him always stayed with me. I would, for instance, see someone of our kind and think, “But he looks like Willie. He is the image of little Willie.” And with this hope beating in my heart I would go and look at him, and at the first glimpse I would know I had fooled myself again.
All this was a private drama. It was absorbed into my melancholy. I opened myself to no one about it. I wonder what Willie's mother would have said if she knew. With the birth of her son she came into a kind of horrible flowering. She seemed to forget the nature of my calling. She became house-proud. She took lessons in flower arrangement from the wife of an English officer—independence had not yet come: we still had a British garrison in the town—and she took lessons in cooking and housecraft from a Parsi lady. She tried to entertain my guests. I was mortified. I remember one dreadful occasion. She had set or laid out the table in her new way. On the side plate of each guest she had placed a towel. I didn't think it was right. I had never read about towels on a dining table or seen them in any of the foreign films I had gone to. She insisted. She used the word “serviette” or something like that. She was no longer on the defensive these days, and soon she was saying foolish things about my ancestors, who knew nothing about modern housecraft. Nothing was resolved when the first guest came (a Frenchman who was doing a book about Romain Rolland, whom we all adored in India, because he was said to be an admirer of the mahatma), and I had to retreat into my melancholy, and go through the whole evening with those towels on the table.
This was the nature of my life. My utter wretchedness, my self-disgust, can be imagined when, with everything I have spoken about, and in spite of my private vow of brahmacharya, which represented the profoundest part of my nature, Willie's mother became pregnant for the second time. This time it was a girl, and this time there was no room for any kind of self-delusion. The girl was the image of her mother. It was like divine punishment. I called her Sarojini, after the woman poet of the independence movement, in the hope that a similar kind of blessing might fall on her, because the poet Sarojini, great patriot though she was, and much admired for that, was also remarkably ill-favoured.
*
THIS WAS THE STORY that Willie Chandran's father told. It took about ten years. Different things had to be said at different times.