him, which was to say it smelled like Red London, like flowers and freshly turned soil, and every time she opened it some small part of her was relieved that the scent was still there. A tether to the city, and to him. She took it with her onto the cot, sitting cross-legged and setting the object on the stiff blanket before her knees. Lila was tired, but this had become part of her nightly ritual, and she knew she wouldn’t sleep well—if at all—until she did it.
The box was made of dark, notched wood and held shut by a small silver clasp. It was a fine thing, and she would have been able to sell it for a bit of coin, but Lila kept it close. Not out of sentimentality, she told herself—her silver pocket watch was the only thing she couldn’t bring herself to sell—but because it was useful.
She slid the silver clasp, and the game board fell open in front of her, the elements in their grooves—earth and air, fire and water and bone—waiting to be moved. Lila flexed her fingers. She knew that most people could only master a single element, maybe two, and that she, being of another London, shouldn’t be able to master any.
But Lila never let odds get in her way.
Besides, that old priest, Master Tieren, had told her that she had power somewhere in her bones. That it only needed to be nurtured.
Now she held her hands above either side of the drop of oil in its groove, palms in as if she could warm herself by it. She didn’t know the words to summon magic. Alucard insisted that she didn’t need to learn another tongue, that words were more for the user than the object, meant to help one focus, but without a proper spell, Lila felt silly. Nothing but a mad girl talking to herself in the dark. No, she needed something, and a poem, she had figured, was kind of like a spell. Or at least, it was more than just its words.
“Tyger Tyger, burning bright …” she murmured under her breath.
She didn’t know many poems—stealing didn’t lend itself to literary study—but she knew Blake by heart, thanks to her mother. Lila didn’t remember much of the woman, who was more than a decade dead, but she remembered this—nights drawn to sleep by Songs of Innocence and of Experience. The gentle cadence of her mother’s voice, rocking her like waves against a boat.
The words lulled Lila now, as they had back then, quieted the storm that rolled inside her head, and loosened the thief’s knot of tension in her chest.
“In the forests of the night …”
Lila’s palms warmed as she wove the poem through the air. She didn’t know if she was doing it right, if there was such a thing as right—if Kell were here, he would probably insist there was, and nag her until she did it, but Kell wasn’t here, and Lila figured there was more than one way to make a thing work.
“In what distant deeps or skies …”
Perhaps power had to be tended, like Tieren said, but not all things grew in gardens.
Plenty of plants grew wild.
And Lila had always thought of herself more as a weed than a rose bush.
“Burnt the fire of thine eyes?”
The oil in its groove sparked to life: not white like Alucard’s hearth, but gold. Lila grinned triumphantly as the flame leaped from the groove into the air between her palms, dancing like molten metal, reminding her of the parade she’d seen that first day in Red London, when elementals of every kind danced through the streets, fire and water and air like ribbons in their wake.
The poem continued in her head as the heat tickled her palms. Kell would say it was impossible. What a useless word, in a world with magic.
What are you? Kell had asked her once.
What am I? She wondered now, as the fire rolled across her knuckles like a coin.
She let the fire go out, the drop of oil sinking back into its groove. The flame was gone, but Lila could feel the magic lingering in the air like smoke as she took up her newest knife, the one she’d won off Lenos. It was no ordinary weapon. A month back, when they’d taken a Faroan pirate ship called the Serpent off the coast of Korma, she’d seen him use it. Now she ran her hand along the blade until she found the hidden