cab, I shall take a cab.’
Inside, flanked by a teapot and cups and a plate of aerated bread and butter, they were awkward. The silence between her tirade on the street and their seating themselves had made them both diffident - strangers again. He felt intimidated, yet knew she had told her story to have this effect - and to force him to know, from a curious egoism, who she was - and yet he felt a kind of diffidence towards her because of it. What she had said, the brutality of her saying it, seemed to invite - to challenge? - a response of the same kind. His voice tentative, he said in almost a whisper into the silence between them, ‘I was married when I was young.’
She was pouring tea for herself. Sharp eyes touched his. ‘And?’
‘She killed herself.’ He could have stopped there, had meant to, but it seemed self-pitying, and suddenly he was rushing to tell her. ‘She drank lye. She took the lye bottle out into a field and drank as much as she could stand and then began to scream. I was in the barn. I heard her, but I thought she was just—I was used to hearing her scream. She lived for three days. We were thirty miles from a doctor. I took her in the wagon; it was all we had.’ She wasn’t going to pour him tea, he had seen; he had one hand on the teapot, but his eyes were staring off into the far side of the vast room ‘She’d had four babies in six years. Two stillborn. She was carrying another when she did it. She hadn’t told me.’ He was silent. ‘That one died, of course.’
Janet Striker said nothing. Her eyes were on his face.
‘It was too much for her. I was too much for her. We had—We’d done it together. As if we’d conspired to make something that would destroy her. And we called it love.’ As he said it, he saw all of a piece what was wrong with the book he had been writing, and he saw the book he should write; he saw the image of a man and a woman making a beautiful and then hideous thing together as they laughed and endured cold silences and made love and hated each other, and he saw the title: The Machine.
‘Do you blame her?’
‘She took to drink. I’ve always blamed her for that, but I guess I shouldn’t. We did it together.’ He felt his hand hot and looked at it and saw that it was still embracing the Britannia-metal teapot. ‘The saddest words of voice or pen - we meant well.’ He grasped the teapot’s handle and poured himself tea, his hand shaking. He gulped the tea, then said, ‘I’ve had a damnable day.’ He told her about Mulcahy then, and the roof, and what he’d found in the Inventorium. ‘Getting back up that roof was the hardest thing I’ve ever done in my life.’
‘I wondered about your clothes.’
‘I sent a note around to a policeman I know. They’ll be all over that place by now, and the body. I suppose they’ll make trouble for me over it. But I know now that Mulcahy didn’t kill Stella Minter.’
‘Why do you care?’
He opened his mouth to speak and then hesitated. ‘Because - because Mulcahy was a pathetic little man who came to me for help. And I didn’t help him. And because—’ He chewed on his moustache with his lower teeth. His left hand was clenched at the edge of the table. ‘I went to the post-mortem. It was all men. All of us - like a theatre, like—No better than Mulcahy. Watching, you know.’ He stammered a few syllables that made no sense. ‘I saw - Mulcahy made me see—It’s something about men and women.’ He shook his head.
‘Men hate women,’ she said, as if she were saying that tea was made with tea leaves and hot water.
‘That’s damned nonsense!’
After half a minute’s pained silence, she said, ‘You weren’t surprised to hear from Mary Kate that the Minter girl had had a baby.’
‘The surgeon at the post-mortem found something about - milk—’
‘She was still lactating? Oh, the stupid girl! If she’d come to me, I could have found her a place as a wet nurse. The money isn’t much, but she’d have had a roof over her head and a leg up on a servant’s place.’
‘Maybe she didn’t want to be a wet