Hysteryl. The pill that kept her even, and kept her on the air.
What she told herself as they began to date was: So what? So what if her relationship had been dreamed up by people in a meeting? So what if some ambitious Antidote intern, having studied up on Marlow, had pointed out that she seemed lonely, that she would probably love to date someone who came with a group of friends? So what if some VP of something or other had nodded at the intern’s suggestion, then turned to Ellis and said, “Trieste, you’re single, aren’t you?” So what if Ellis had nodded sagely, ever the company man, and answered, “Sure, I can run point on this.”
So what if these things that she imagined were true? No matter how things had begun, Marlow decided then, she was glad to be with people. Happy to have friends, and proud to have won the unwinnable Ellis Trieste. He confessed to her, early on, that he was a “personality snob”—that his standards were probably too high, that he found most women too dramatic. The frame of reference he gave made it even sweeter, then, when he began to compliment her lack of feeling. He noted how cool she was, for a girl—how even-keeled, how unaffected. But for Marlow, it was no challenge, looking like she didn’t care. Hysteryl kept her emotions like clothes in a neat dresser drawer: stored where they belonged, unfolded only when appropriate, and put back with ease, in order. She was so pleased about earning the label of cool—her, the girl whose reputation could not, for so long, outrun one violent impulse—that she missed what a stupid thing it was, marrying someone to celebrate impressing him.
At their wedding, they were surrounded by the people from the bar the night they met. When the ushers went to seat their friends—bride’s side, or groom’s?—the friends all flapped their hands. They said it didn’t matter; they said they loved them both. Marlow had never been so content.
Then the people went home, and the marriage began. Marlow realized she had been naive to think that they would see their friends as much afterward; they were all marrying, too, and Ellis began to grow tired of, as he called it, “the scene.” Even when he withdrew, Marlow kept up with everyone. She played tennis with them, got massages and manicures with them, helped them plan brunches and showers and parties. She did her best to not be alone with her husband, because a frightening truth was beginning to peel itself back, like paint off a wall: she didn’t like being married to Ellis. He was always on his device while she spoke, working on other things in his head as he stood there, pretending to listen to her. The only time he paid attention to what she was saying was when she talked about her medication—the thing they had in common, the thing he was keeping tabs on. There were small things she hated about him, too, and those were somehow worse, their symbolism metastasizing as the years passed. This one drove her insane, a permanent mental hangnail: he hid the snacks he liked best beneath their bed, so that he didn’t have to share them with her. He would rather risk eating unrefrigerated cheese—cashew cheddar he stashed in the dark next to his snowboard—than let her have some, too. It all added up to an obvious correlation, one she had no business being surprised by: the man with the air of not-caring actually didn’t care.
It went on like this for ten years. Sometimes Marlow thought—from a detached, theoretical distance—about screaming or breaking a dish. But mostly she would call up her map with its crop of contacts, her busy social schedule for the week, and remind herself: Small price to pay. Sometimes she thought it so forcefully, her device mistook it for an intuition. Small price to pay, the soundless voice would repeat. An English expression meaning: a minor sacrifice. Worth the trouble.
The marriage had gone flat, and so had the content they made together. More than once, the network had chastised them for their long dinner silences, their heavy sighs side by side in bed. For Ellis, the matter was doubly serious. Like all network talent, he was obligated to be interesting. And as an Antidote employee, he felt pressure to make sure that his wife—the face of Hysteryl—looked content. But these days, Marlow made no attempt to look content with