center of gravity seemed to be lumped to the east of the crossroads, therefore east would be definitely wrong. So he drove away from the lawyers and the bondsmen in the direction of El Paso and followed a slight right-hand curve and found exactly what he wanted, all spread out in front of him and receding into the distance. Every town of any size has a strip of auto dealers clustered together on one of the approaches, and Pecos was no different.
He cruised up the strip and turned around and cruised back, looking for the right kind of place. There were two possibilities. Both of them had gaudy signs offering FOREIGN CAR SERVICE. Both of them offered FREE LOANERS. He chose the place farther out of town. It had a used car business in front with a dozen clunkers decked with flags and low prices on their windshields. An office in a trailer. Behind the sales lot was a long low shed with hydraulic hoists. The floor of the shed was oil-stained earth. There were four mechanics visible. One of them was halfway underneath a British sports car. The other three were unoccupied. A slow start to a hot Monday morning.
He drove the yellow VW right into the shed. The three unoccupied mechanics drifted over to it. One of them looked like a foreman. Reacher asked him to adjust the VW's clutch so its action would be softer. The guy looked happy to be offered the work. He said it would cost forty bucks. Reacher agreed to the price and asked for a loaner. The guy led him behind the shed and pointed to an ancient Chrysler LeBaron convertible. It had been white once, but now it was khaki with age and sunlight. Reacher took Alice's gun with him, wrapped up in her maps like a store-bought package. He placed it on the Chrysler's passenger seat. Then he asked the mechanic for a tow rope.
"What you want to tow?" the guy asked.
"Nothing," Reacher said. "I just want the rope, is all."
"You want a rope, but you don't want to tow anything?"
"You got it," Reacher said.
The guy shrugged and walked away. Came back with a coil of rope. Reacher put it in the passenger footwell. Then he drove the LeBaron back into town and out again heading north and east, feeling a whole lot better about the day. Only a fool would try unlicensed debt-collecting in the wilds of Texas in a bright yellow car with New York plates and a bud vase on the dash.
He stopped once in empty country, to unscrew the Chrysler's plates with a penny from his pocket. He stored them on the floor on the passenger's side, next to the coil of rope. Put the bolts in the glove compartment. Then he drove on, looking for his destination. He was maybe three hours north of the Greer place, and the land looked pretty much the same, except it was better irrigated. Grass was growing. The mesquite had been burned back. There were cultivated acres, with green bushes all over them. Peppers, maybe. Or cantaloupe. He had no idea. There was wild indigo on the shoulders of the road. An occasional prickly pear. No people. The sun was high and the horizons were shimmering.
The rancher's name was listed on the legal paper as Lyndon J. Brewer. His address was just a route number which Alice's map showed was a stretch of road that ran about forty miles before it disappeared into New Mexico. It was the same sort of road as the drag heading south out of Echo down to the Greer place, a dusty blacktop ribbon and a string of drooping power lines punctuated by big ranch gates about every fifteen miles. The ranches had names, which weren't necessarily going to be the names of the owners, like the Red House had nowhere been labeled Greer. So finding Lyndon J. Brewer in person wasn't necessarily going to be easy.
But then it was, because the road was crossed by another and the resulting crossroads had a line of mailboxes laid out along a gray weathered plank and the mailboxes had people's names and ranch names on them together. BREWER was painted freehand in black on a white box, and BIG HAT RANCH was painted right below it.
He found the entrance to the Big Hat Ranch fifteen miles to the north. There was a fancy iron arch, painted white, like something you might see holding up a conservatory