toward the nursery to meet my sister's ruined child.
DORMITORY
I became aware of the sound quite recently, though I can't say with certainty when it started. There is a place in my memory that is dim and obscure, and the sound seems to have been hiding just there. At some point I suddenly realized that I was hearing it. It materialized out of nowhere, like the speckled pattern of microbes on the agar in a petri dish.
It was audible only at certain moments, and not necessarily when I wanted to hear it. I heard it once as I was staring out at the lights of the city from the window of the last bus of the evening, and another time at the entrance to the old museum, as a melancholy young woman handed me a ticket without looking up. The sound came suddenly and unpredictably.
But the one thing all these moments had in common was that I was thinking, in each case, about a particular place from my past—and that place was my old college dormitory, a simple, three-story building of reinforced concrete. The cloudy glass in the windows, the yellowed curtains, and the cracks in the walls all hinted at its advanced age, and though it was meant to house students, there was no sign of student life—no motorbikes, tennis rackets, sneakers, or anything of the kind. It was, in short, the mere shell of a building.
Still, it wasn't exactly a ruin, either. I could feel traces of life even in the decaying concrete, a warm, rhythmic presence that seeped quietly into my skin.
But the fact that I could recall the place so vividly six years after moving out was due, no doubt, to the sudden reappearances of the sound. I would hear it for the briefest moment whenever my thoughts returned to the dormitory. The world in my head would become white, like a wide, snow-covered plain, and from somewhere high up in the sky, the faint vibration began.
To be honest, I'm not sure you could even call it a sound. It might be more accurate to say it was a quaking, a current, even a throb. But no matter how I strained to hear it, everything about the sound—its source, its tone, its timbre—remained vague. I never knew how to describe it. Still, from time to time, I attempted analogies: the icy murmur of a fountain in winter when a coin sinks to the bottom; the quaking of the fluid in the inner ear as you get off a merry-go-round; the sound of the night passing through the palm of your hand still gripping the phone after your lover hangs up . . . But I doubted these would help anyone understand.
A call came from my cousin on a cold, windy afternoon in early spring.
"Sorry to phone you out of the blue," he said. At first, I didn't recognize his voice. "It's been almost fifteen years, so there's no reason you should remember, but I'll never forget how nice you were to me when I was little." He seemed anxious to explain himself. "You used to play with me at New Year's and during summer vacation. . . ."
"It has been a long time!" I said, finally placing him. The call had caught me off guard.
"It really has," he said, letting out a sigh of relief. Then his tone became more formal. "I'm calling because I have a favor to ask." He got right to the point. Still, it wasn't immediately clear why a cousin, who was so much younger and had been out of touch for so long, should be calling to ask for something, nor could I imagine what I could possibly do to help him. Instead of answering, I waited for him to continue. "You see, I'm coming to college in Tokyo in April."
"You can't be that old already!" I blurted out, honestly astonished. He'd been a boy of four the last time I'd seen him.
"And I'm looking for a place to live, but I'm not having much luck. Which is why I thought of you."
"Me?"
"Yes, I remembered hearing that you lived in a good dormitory when you were in school." My years in the dormitory came back as we spoke, but the memories seemed as distant as those of playing with this young cousin.
"But how did you know that I lived in a dormitory?"
"You know how it is with families—people talk about these kinds of things," he said.
It was true that it had been