to think I might care about the girls I once loved as my own sisters?” she’s saying. “Or about the lies my parents forced me to swallow, or the innocent people I watched them murder? Or maybe even something simpler than that—that I might’ve opened my eyes one day and realized that I was part and parcel of a system that was not only ravaging the world but also slaughtering everyone in it?”
Shit.
I can feel it, can feel my heart filling out, filling up. My chest feels tight, like it’s swollen, like my lungs don’t fit anymore. I don’t want to care about Nazeera. Don’t want to feel her pain or feel connected to her or feel anything. I just want to keep a level head. Be cool.
I force myself to think about a joke James told me the other day, a stupid pun—something to do with muffins—a joke that was so lame I nearly cried. I focus on the memory, the way James laughed at his own lameness, snorting so hard a little food fell out of his mouth. I smile and glance at James, who looks like he might be falling asleep in his seat.
Soon, the tightness in my chest begins to abate.
Now I’m really smiling, wondering if it’s weird that I love bad jokes even more than good ones, when I hear Ian say—
“It’s not that you seem heartless. It’s just that these photos seem so convenient. You had them ready to share.” He stares down at the single photo he’s holding. “These kids could be anyone.”
“Look closely,” Nazeera says, standing up to get a better look at the picture in his hands. “Who do you think that is?”
I lean over—Ian isn’t far from me—and peer over his shoulder. There’s really no point denying it anymore; the resemblance is insane.
Juliette. Ella.
She’s just a kid, maybe four or five years old, standing in front of the camera, smiling. She’s holding a bouquet of dandelions up to the cameraman, as if to offer him one. And then, just off to the side, there’s another figure. A little blond boy. So blond his hair is white. He’s staring, intensely, at a single dandelion in his hands.
I nearly fall out of my chair. Juliette is one thing, but this—
“Is that Warner?” I say.
Adam looks up sharply. He glances from me to Nazeera, then stalks over to look at the photo. His eyebrows fly up his head.
“No way,” he says.
Nazeera shrugs.
“No way,” Adam says again. “No way. That’s impossible. There’s no way they knew each other this long. Warner had no idea who Juliette was before she came here.” When Nazeera seems unmoved, Adam says, “I’m serious. I know you think I’m full of shit, but I’m not wrong about this. I was there. Warner literally interviewed me for the job of being her cellmate in the asylum. He didn’t know who she was. He’d never met her. Never seen her face, not up close, anyway. Half the reason he chose me to be her roommate was because she and I had history, because he found that useful. He’d grill me for hours about her.”
Nazeera sighs slowly, like she’s surrounded by idiots.
“When I found these photos,” she says to Adam, “I couldn’t understand how I came across them so easily. I didn’t understand why anyone would keep evidence like this right under my nose or make it so easy to find. But I know now that my parents never expected me to look. They got lazy. They figured that, even if I found these photos, I’d never know what I was looking at. Two months ago I could’ve seen these pictures and assumed that this girl”—she plucks a photo of herself, what appears to be a young Haider, and a thin brown-haired girl with bright blue eyes, out of a pile—“was a neighbor kid, someone I used to know but can’t be bothered to remember.
“But I do remember,” she says. “I remember all of it. I remember the day our parents told us that Ella and Emmaline had drowned. I remember crying myself to sleep every night. I remember the day they took us to a place I thought was a hospital. I remember my mother telling me I’d feel better soon. And then, I remember remembering nothing. Like time, in my brain, just folded in on itself.” She raises her eyebrows. “Do you get what I’m trying to say to you, Kent?”
He glares at her. “I get that you think I’m