blocks that we were inching up on Joy’s culinary school. I began to scan the sidewalks, a little desperate to score a glimpse of my daughter’s bouncy ponytail. But then I remembered she was uptown these days, interning at Solange under that hot young chef, Tommy Keitel.
Given Madame’s news about Matt, a feeling of empty-nest heartache stung me especially hard. I swatted it away. You have a bigger problem to think about, I reminded myself. So think about that . . .
Ellie Lassiter was my only lead on the mysteries surroundingFederico Gostwick and his magic beans. Once more, I considered discussing everything with Madame— the smuggled cutting, the mugging, the stolen keycard, the possibility of attempted murder. But when I glanced over at her again, the look in her eyes told me she was no longer in the present.
I wondered what she was seeing now; probably an image of her late husband, some memory from years ago, like my marriage to Matt, something long past.
I’ll tell her about everything later, I decided, after I speak with Ellie. Then I juiced the car, swerved around two lumbering supply trucks, and moved with greater speed toward the Brooklyn Bridge.
ELEVEN
IN person, Ellie Lassiter looked much the same as she had on her Web photo: the layered, shoulder-length strawberry blonde hair, the freckled, fair skinned oval face. She’d been so slender in college, the little bit of weight she’d gained over the last twenty years looked good, giving her attractive curves, even beneath the Botanic Garden’s sexless green uniform of baggy slacks and zipper jacket.
“I almost forgot you went back to Cosi,” she said as she shook my hand. Her voice was still softly feminine, but the big, joyful smile I remembered was now tight and reserved. “I’d known you as Clare Allegro for so many years . . .”
I shrugged. “That’s all right. It’s apparently hard for my mother-in-law to remember, too. But then she has a selective memory.”
Ellie nodded. “My grandmother’s like that. Terribly forgetful when the subject’s irritating, but sharp as a pruning hook when she’s got an agenda.”
“Sounds like your granny and Matt’s mother have been playing croquet together.”
Madame might have made a barb of her own just then, if she’d been present, but she wasn’t. She’d already obtained a map from the Botanic Garden’s Visitor’s Center and set off on a trek of discovery through the fifty-two acre sanctuary.
I envied her. The October day was bright and warm, the foliage around us displaying vibrant colors—deep russet and bronzed gold, brilliant yellow and blazing orange. We’d parked in the Washington Avenue lot, and then followed a paved pathway onto the grounds. The smells of the Garden hit me immediately: damp leaves, late season blossoms, freshly turned dirt. (Funny, how you can actually miss the smell of dirt when your entire range of outdoorsy experience consistently runs from Manhattan sidewalk to Manhattan asphalt.)
We strolled past an herb garden with hundreds of varieties, from medicinal and culinary to ornamental. I picked up scents of sage and rosemary as we walked. There was fresh mint and basil, along with some wild pungent fragrances I couldn’t identify.
The Japanese Hill-and-Pond garden came next. A miniaturized landscape—Japanese maples dressed in bright vermillion and evergreen shrubs traditionally pruned into perfect cloud shapes—surrounded a manmade pool, alive with quacking ducks, turtles, koi, and elegant, slender-necked herons.
By then, Madame was hooked and so was I. But though I was dying to see (not to mention smell) the rest of the 10,000 plants from around the world, I had business. So while my former mother-in-law set out on a trek through the various little gardens within the larger one, I went to the administrationbuilding and set out on a quest for Ellie Shaw Lassiter.
Locating her wasn’t difficult. The receptionist in the administration building simply directed me to the Steinhardt Conservatory, a collection of immense greenhouses no more than a stone’s throw from the main plaza (not that I advocated throwing stones anywhere near those amazing glass buildings).
I found Ellie inside one of the warm, rather uncomfortably humid rooms of one structure. In the room next to us, I could see an amazing display of tiny, perfectly shaped trees. This was the Garden’s Bonsai Museum, the oldest collection of dwarfed, potted trees in the country.
In Ellie’s large, bright, transparent space, the display was much newer and closer to home—a collection of lush, green coffee plants in various stages of fruition. Some were flowering white, others were heavy with green, yellow, or