self and feeling mightyconspicuous. I was exhausted from an especiallylong night. I’d been at the hospital until six in the morning, and I’d had onlya few hours’ fitful sleep after I’d gotten home.
Pam was taking the cover charge and showing the customers to tables. She was wearing the long filmy black outfit she usually wore when she was on door duty. Pam never looked happy when she was dressed like a fictional vampire. She was the real thing and proud of it. Her personal taste leaned more toward slack sets in pastel colors and penny loafers. She looked as surprised as a vampire can look when she saw me.
“Sookie,” she said, “do you have an appointment with Eric?” She took my money without a blink.
I was actually happy to see her: pathetic, huh? I don’t have a lot of friends, and I value the ones I have, even if I suspect they dream about catching me in a dark alley and having their bloody way with me. “No, but I do need to talk to him. Business,” I added hastily. I didn’t want anyone thinking I was courting the romantic attention of the undead head honcho of Shreveport, a position called “sheriff” by the vamps. I shrugged off my new cranberry-colored coat and folded it carefully over my arm. WDED, the Baton Rouge–based all-vampire radio station, was being piped over the sound system. The smooth voice of the early night deejay, Connie the Corpse, said, “And here’s a song for all you lowlifes who were outside howling earlier this week . . . ‘Bad Moon Rising,’ an old hit from Creedence Clearwater Revival.” Connie the Corpse was giving a private tip of the hat to the shape-shifters.
“Wait at the bar while I tell him you’re here,” Pam said. “You’ll enjoy the new bartender.”
Bartenders at Fangtasia didn’t tend to last long. Eric and Pam always tried to hire someone colorful—an exotic bartender drew in the human tourists who came by the busloads to take a walk on the wild side—and in this they were successful. But somehow the job had acquired a high attrition rate.
The new man gave me a white-toothed smile when I perched on one of the high stools. He was quite an eyeful. He had a head full of long, intensely curly hair, chestnut brown in color. It clustered thickly on his shoulders. He also sported a mustache and a Vandyke. Covering his left eye was a black eye patch. Since his face was narrow and the features on it sizable, his face was crowded. He was about my height, five foot six, and he was wearing a black poet shirt and black pants and high black boots. All he needed was a bandanna tied around his head and a pistol.
“Maybe a parrot on your shoulder?” I said.
“Aaargh, dear lady, you are not the first to suggest such a thing.” He had a wonderful rich baritone voice. “But I understand there are health department regulations against having an uncaged bird in an establishment serving drinks.” He bowed to me as deeply as the narrow area behind the bar permitted. “May I get you a drink and have the honor of your name?”
I had to smile. “Certainly, sir. I’m Sookie Stackhouse.” He’d caught the whiff of otherness about me. Vampires almost always pick up on it. The undead usually note me; humans don’t. It’s kind of ironic that my mind reading doesn’t work on the very creatures who believe it distinguishes me from the rest of the human race, while humans would rather believe I was mentally ill than credit me with an unusual ability.
The woman on the barstool next to me (credit cards maxed out, son with ADD) half turned to listen in. She was jealous, having been trying to entice the bartender into showing her some attention for the past thirty minutes. She eyed me, trying to figure out what had caused the vamp to choose to open a conversation with me. She wasn’t impressed at all with what she saw.
“I am delighted to meet you, fair maiden,” the new vampire said smoothly, and I grinned. Well, at least I was fair—in the blond-and-blue-eyed sense. His eyes took me in; of course, if you’re a woman who works in a bar, you’re used to that. At least he didn’t look at me offensively; and believe me, if you’re a woman who works in a bar, you can tell the difference between an evaluation and an eye fuck.
“I