if sensing her fear, struggled within her, and she lay her hands on her distended belly, stroking the infant until he finally relaxed.
Her eyes remained fastened on the circle of shadows around the fire until another figure appeared out of the darkness, nearly invisible at first as it emerged from the trees and moved across the clearing.
A match was lit, and the figure held it to a candle, and then another and another. The flames of the tapers glowed brightly, and at last the figure turned, and a new wave of terror gripped Amelie.
The Dark Man stood silently in front of an altar ablaze with candles, his tall figure shrouded in black, his face veiled.
At last he spoke, his deep voice carrying clearly across the still waters. “Give me what is mine!”
A man and a woman stepped forward. As the light of the altar candles revealed their faces, Amelie gasped, instantly clamping her hand over her own mouth to prevent any sound from betraying her presence. She knew these two people, had known them all her life.
Quint and Tammy-Jo Millard, who’d gotten married a few months ago. Amelie had been with Tammy-Jo the night before Quint came for her, just the way Tammy-Jo had sat with Amelie the last night before she’d been claimed by George.
And yesterday Tammy-Jo had had her baby. Amelie was with her then, too, going in her canoe to the shack a mile from the one she shared with George, holding Tammy-Jo’s hand and mopping her brow with a wet rag while Tammy-Jo screamed with the pain of her labor.
The pain Tammy-Jo endured had scared Amelie, but not half so much as the sight now of Tammy-Jo standing next to Quint Millard in front of the Dark Man, her baby cradled in her arms, its mouth fastened to Tammy-Jo’s naked breast.
As Amelie watched, the Dark Man held out his arms.
“Give me what is mine!” His voice boomed across the water, the words striking Amelie like hammer blows.
Silently, Tammy-Jo placed her newborn babe in the hands of the Dark Man, who turned and laid the baby on the altar like an offering, unfolding the blanket in which it was wrapped, until its pale body was uncovered in the candlelight.
From the folds of his robes the Dark Man withdrew an object. Amelie couldn’t quite make it out, until the light of the tapers reflected from it as from the blade of a knife.
“Whose child is this?” the Dark Man asked, the blade held high above the baby’s naked body.
“Yours,” Tammy-Jo replied, her voice flat, her eyes fixed on the Dark Man.
Though his face was invisible, the girl in the canoe shivered as she felt the Dark Man’s cold smile.
She wanted to turn away, but knew she couldn’t. Fascinated with the black-clad image of the Dark Man, she watched unblinking as he raised the instrument in his hands high, poising it over the tiny infant on the altar. The candlelight flickered, and tiny brilliant stars flashed from the tip of the instrument.
It began to arc downward.
It hovered for a moment, just over the child’s breast.
There was a short scream from the infant as the tip of the blade entered its chest, a scream that was cut off almost as quickly as it began.
The glinting metal sank deep into the child’s body.
Involuntarily, a shriek rose in Amelie’s throat, a small howl of pure horror that she cut off almost as quickly as the Dark Man had cut off the infant’s scream.
The Dark Man looked up, gazing out over the fire and the water, and Amelie imagined that his unseeable eyes were boring into her, fixing her image on his mind.
My baby, she thought. He wants my baby, too.
Silently she dipped her paddle into the water and backed the canoe away. But even as she moved noiselessly through the black shadows, she could still feel the eyes of the Dark Man following her, reaching out to her, grasping at her.
No.
Not at her.
At the baby within her.
As she turned the canoe, intent on fleeing into the darkness, she heard the Dark Man speak once again.
“George Coulton,” the heavy voice uttered. “When will you bring me what is mine?”
There was a moment of silence before Amelie heard her husband reply. When at last he spoke, George’s flat, expressionless voice was clear.
“The night he’s born. The night he’s born, I be bringin’ him to you.”
1
Kelly Anderson could feel his presence close by, feel him searching for her, reaching out to her.
He’d been there, usually