established sacred channel - the Roman Catholic Church."
Sophie glanced at Langdon, and he gave her a soft nod of concurrence.
"It was all about power," Teabing continued. "Christ as Messiah was critical to the functioning of Church and state. Many scholars claim that the early Church literally stole Jesus from His original followers, hijacking His human message, shrouding it in an impenetrable cloak of divinity, and using it to expand their own power. I've written several books on the topic." "And I assume devout Christians send you hate mail on a daily basis?" "Why would they?" Teabing countered. "The vast majority of educated Christians know the history of their faith. Jesus was indeed a great and powerful man. Constantine's underhanded political maneuvers don't diminish the majesty of Christ's life. Nobody is saying Christ was a fraud, or denying that He walked the earth and inspired millions to better lives. All we are saying is that Constantine took advantage of Christ's substantial influence and importance. And in doing so, he shaped the face of Christianity as we know it today."
Sophie glanced at the art book before her, eager to move on and see the Da Vinci painting of the Holy Grail.
"The twist is this," Teabing said, talking faster now. "Because Constantine upgraded Jesus' status almost four centuries after Jesus' death, thousands of documents already existed chronicling His life as a mortal man. To rewrite the history books, Constantine knew he would need a bold stroke.
From this sprang the most profound moment in Christian history." Teabing paused, eyeing Sophie. "Constantine commissioned and financed a new Bible, which omitted those gospels that spoke of Christ's human traits and embellished those gospels that made Him godlike. The earlier gospels were outlawed, gathered up, and burned."
"An interesting note," Langdon added. "Anyone who chose the forbidden gospels over Constantine's version was deemed a heretic. The word heretic derives from that moment in history. The Latin word haereticus means 'choice.' Those who 'chose' the original history of Christ were the world's first heretics."
"Fortunately for historians," Teabing said," some of the gospels that Constantine attempted to eradicate managed to survive. The Dead Sea Scrolls were found in the 1950s hidden in a cave near Qumran in the Judean desert. And, of course, the Coptic Scrolls in 1945 at Nag Hammadi. In addition to telling the true Grail story, these documents speak of Christ's ministry in very human terms. Of course, the Vatican, in keeping with their tradition of misinformation, tried very hard to suppress the release of these scrolls. And why wouldn't they? The scrolls highlight glaring historical discrepancies and fabrications, clearly confirming that the modern Bible was compiled and edited by men who possessed a political agenda - to promote the divinity of the man Jesus Christ and use His influence to solidify their own power base."
"And yet," Langdon countered," it's important to remember that the modern Church's desire to suppress these documents comes from a sincere belief in their established view of Christ. The Vatican is made up of deeply pious men who truly believe these contrary documents could only be false testimony."
Teabing chuckled as he eased himself into a chair opposite Sophie. "As you can see, our professor has a far softer heart for Rome than I do. Nonetheless, he is correct about the modern clergy believing these opposing documents are false testimony. That's understandable. Constantine's Bible has been their truth for ages. Nobody is more indoctrinated than the indoctrinator." "What he means," Langdon said," is that we worship the gods of our fathers." "What I mean," Teabing countered," is that almost everything our fathers taught us about Christ is false.As are the stories about the Holy Grail."
Sophie looked again at the Da Vinci quote before her. Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!
Teabing reached for the book and flipped toward the center. "And finally, before I show you Da Vinci's paintings of the Holy Grail, I'd like you to take a quick look at this." He opened the book to a colorful graphic that spanned both full pages. "I assume you recognize this fresco?"
He's kidding, right? Sophie was staring at the most famous fresco of all time - The Last
Supper - Da Vinci's legendary painting from the wall of Santa Maria delle Grazie near Milan. The decaying fresco portrayed Jesus and His disciples at the moment that Jesus announced one of them would betray Him. "I know the fresco, yes."
"Then perhaps you would indulge me this little game? Close your eyes