First waiting for the cross light. Bosch looked at his watch and saw it was 5:10, quitting time. He thought Edgar was probably walking up to the Code Seven or the Red Wind for a draft before fighting the freeway. He thought that wasn't a bad idea. Sheehan and Opelt were probably already sitting on stools at one of the bars.

By the time Bosch got to the corner, Edgar had a block-and-a-half lead on him and was walking up First toward the Seven. Bosch picked up the pace. For the first time in a long time, he felt the actual mental craving for alcohol. For just a while he wanted to forget Church and Mora and Chandler and his own secrets and what Irving had told him in the conference room.

But then Edgar walked right on by the billy club that served as the door handle at the Seven without even giving it a glance. He crossed Spring and walked alongside the Times building toward Broadway. Then it's the Red Wind, Bosch thought.

The Wind was okay as far as a watering hole went. They had Weinhard's by the bottle instead of on draft, so the place lost points there. Another minus was that the yuppies from the Times newsroom favored the place and it often was more crowded with reporters than cops. The big plus, however, was that on Thursdays and Fridays they had a quartet come in and play sets from six to ten. They were mostly retired club men who weren't too tight, but it was as good a way as any to miss the rush hour.

He watched Edgar cross Broadway and stay on First instead of taking a left to go down to the Wind. Bosch slowed his pace a bit so Edgar could renew his block-and-a-half lead. He lit another cigarette and felt uneasy about the prospect of following the other detective but did it anyway. There was a bad feeling beginning to nag at him.

Edgar turned left on Hill and ducked into the first door on the east side, across from the new subway entrance. The door he went through was to the Hung Jury, a bar that was off the lobby of the Fuentes Legal Center, an eight-story office building solely occupied by attorney offices. Mostly, the tenants were defense and litigation attorneys who had chosen the nondescript if not ugly building because of its main selling point; it was only a half block from the county courts building, a block from the criminal courts building and a block and a half from the federal building.

Bosch knew all of this because Belk had told him all about it on the day the two of them had come to the Fuentes Legal Center to find Honey Chandler's office. Bosch had been subpoenaed to give a deposition in the Norman Church case.

The uneasy feeling turned into a hollow in his gut as he passed the door to the Hung Jury and went into the main lobby of the Fuentes Center. He knew the layout of the bar, having dropped in for a beer and a shot after the deposition with Chandler, and he knew there was an entrance off the building's lobby. He pushed through the lobby entrance door now and stepped into an alcove where there were two pay phones and the doors to the restrooms. He moved up to the corner and carefully looked into the bar area.

A juke box Bosch couldn't see was playing Sinatra's “Summer Wind,” a barmaid with a puffy wig and bills wrapped through her fingers—tens, fives, ones—was delivering a batch of martinis to a four top of lawyers sitting near the front entrance and the bartender was leaning over the dimly lit bar smoking a cigarette and reading the Hollywood Reporter. Probably an actor or a screenwriter when he wasn't tending bar, Bosch thought. Maybe a talent scout. Who in this town wasn't?

When the bartender leaned forward to stub out his smoke in an ashtray, Bosch saw Edgar sitting at the far end of the bar with a draft beer in front of him. A match flared in the darkness next to him and Bosch watched Honey Chandler light a smoke and then drop her match into an ashtray next to what looked like a Bloody Mary.

Bosch moved back into the alcove, out of sight.

He waited next to an old plywood shack that was built on the sidewalk at Hill and First and served as a news and magazine