are quietly miserable as we try to assess what effect we might be having.
Even without our personal speeches to trigger dissent - needless to say the ones we gave in District 11 were edited out before the event was broadcast - you can feel something in the air, the rolling boil of a pot about to run over. Not everywhere. Some crowds have the weary-cattle feel that I know District 12 usually projects at the victors' ceremonies. But in others - particularly 8, 4, and 3 - there is genuine elation in the faces of the people at the sight of us, and under the elation, fury. When they chant my name, it is more of a cry for vengeance than a cheer. When the Peacekeepers move in to quiet an unruly crowd, it presses back instead of retreating. And I know that there's nothing I could ever do to change this. No show of love, however believable, will turn this tide. If my holding out those berries was an act of temporary insanity, then these people will embrace insanity, too.
Cinna begins to take in my clothes around the waist. The prep team frets over the circles under my eyes. Effie starts giving me pills to sleep, but they don't work. Not well enough. I drift off only to be roused by nightmares that have increased in number and intensity. Peeta, who spends much of the night roaming the train, hears me screaming as I struggle to break out of the haze of drugs that merely prolong the horrible dreams. He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep. After that, I refuse the pills. But every night I let him into my bed. We manage the darkness as we did in the arena, wrapped in each other's arms, guarding against dangers that can descend at any moment. Nothing else happens, but our arrangement quickly becomes a subject of gossip on the train.
When Effie brings it up to me, I think, Good. Maybe it will get back to President Snow. I tell her we'll make an effort to be more discreet, but we don't.
The back-to-back appearances in 2 and 1 are their own special kind of awful. Cato and Clove, the tributes from District 2, might have both made it home if Peeta and I hadn't. I personally killed the girl, Glimmer, and the boy from District 1. As I try to avoid looking at his family, I learn that his name was Marvel. How did I never know that? I suppose that before the Games I didn't pay attention, and afterward I didn't want to know.
By the time we reach the Capitol, we are desperate. We make endless appearances to adoring crowds. There is no danger of an uprising here among the privileged, among those whose names are never placed in the reaping balls, whose children never die for the supposed crimes committed generations ago. We don't need to convince anybody in the Capitol of our love but hold to the slim hope that we can still reach some of those we failed to convince in the districts. Whatever we do seems too little, too late.
Back in our old quarters in the Training Center, I'm the one who suggests the public marriage proposal. Peeta agrees to do it but then disappears to his room for a long time. Haymitch tells me to leave him alone.
"I thought he wanted it, anyway," I say.
"Not like this," Haymitch says. "He wanted it to be real."
I go back to my room and lie under the covers, trying not to think of Gale and thinking of nothing else.
That night, on the stage before the Training Center, we bubble our way through a list of questions. Caesar Flickerman, in his twinkling midnight blue suit, his hair, eyelids, and lips still dyed powder blue, flawlessly guides us through the interview. When he asks us about the future, Peeta gets down on one knee, pours out his heart, and begs me to marry him. I, of course, accept. Caesar is beside himself, the Capitol audience is hysterical, shots of crowds around Panem show a country besotted with happiness.
President Snow himself makes a surprise visit to congratulate us. He clasps Peeta's hand and gives him an approving slap on the shoulder. He embraces me, enfolding me in the smell of blood and roses, and plants a puffy kiss on my cheek. When he pulls