he’d been doing so for years, digging his grave with his knife and fork, but…
“Ha!” He straightened up in his seat, gave a little yelp of laughter, and looked positively delighted by the expressions on our faces. “Oh my,” he said. “Oh my, oh my. Terrible of me, I know, but I couldn’t resist. You will forgive me my little joke, won’t you?” He plunged the fork into the bowl of stew. “It’s wonderfully flavorful, I assure you,” he said, “and it couldn’t possibly harm anyone. May I urge you all to fill bowls for yourselves and join me?”
“We can’t be sure it’s safe,” Miss Hardesty said. “There are slow-acting poisons, aren’t there?”
“If Cook was poisoned,” said Quilp, “the poison seems to have worked at the speed of light. But I’m sure you’re right. The stew contains a slow-acting poison, and I’m doomed. In fifty years’ time I’ll be stone dead.” He rolled his eyes. “With that timetable, young Millicent might want to hold off. The rest of you can afford to take your chances.”
Mrs. Colibri said she thought she’d wait, not fifty years but, oh, fifteen minutes or so, just to be on the safe side. Several others murmured their agreement. Quilp told us to suit ourselves, but by then he’d very likely have had a second helping, and perhaps even a third. “And if Molly or Earlene could bring me a plate of that salad,” he said, “and some of the seven-grain bread, I think there must be some left. And some butter, of course. And beer, I think, would provide a better accompaniment than wine. Is there some of that nice brown ale, Nigel?”
CHAPTER
Eighteen
“Jonathan Rathburn,” Nigel Eglantine said, and put the tips of his long fingers together. “I’m afraid I don’t know much about him at all. He rang up early in the week to ask if he could come up for a short stay. You both arrived yesterday, didn’t you? Mr. Rathburn preceded you by a day. It was Wednesday when he turned up, early in the afternoon.”
“How did he get here?”
“I don’t know that he said. If he drove, his car would be parked on the other side of the bridge. But we can’t get there to look for it, and we wouldn’t know it if we saw it, would we?”
“We wouldn’t even see it,” I said, “under all that snow.”
It was snowing again, though not as heavily as before. Carolyn and I were in the Great Library, along with Nigel and Colonel Blount-Buller. That room was pretty much as we’d left it, down to the copy of The Big Sleep still perched on the topmost shelf. There was, however, one significant change. Jonathan Rathburn was no longer crumpled at the foot of the library steps. The steps remained, and his blood still discolored the carpet, but Rathburn was gone.
He hadn’t risen from the dead, nor had he been mysteriously spirited away. The decision to move the body had been a collective one, taken up with not much argument in the aftermath of a satisfying if initially unnerving lunch of lamb stew and salad and seven-grain bread, all washed down with Newcastle brown ale or California zinfandel or Deer Park spring water, as one preferred. Someone, I’m not sure who, made the point that we now had two rooms off-limits and out of bounds because there were bodies in them. While it was no more than a nuisance to be unable to go into the library, we would be hard-pressed to make do without the kitchen.
Furthermore, it was noted, our initial decision to give up the library to the late Mr. Rathburn had been founded on the belief that the police would be appearing shortly. With the phone disabled and the bridge down, and with more snow falling, there was no way to guess when the police would actually show up. In the meantime, neither corpse was improving with age.
“Rathburn’s gone off,” the colonel reported, “and the cook can’t be far behind. It’s unfortunate about young Orris, but there’s no denying he’s a good deal more conveniently placed than the other two.”
Now, halfway through the afternoon, Rathburn and Cook were conveniently situated as well—outside, though not at the bottom of the gully. They reposed side by side in lawn chairs immediately to the rear of Cuttleford House, each covered with a bedsheet that was being covered in its turn by a fresh fall of snow.
We’d taken crime-scene photographs before we moved the bodies, making use