every word of the hate mail you have been thoughtful enough to send to New York.”
This embarrassed people some.
“The painting did not exist until I made it,” Karabekian went on. “Now that it does exist, nothing would make me happier than to have it reproduced again and again, and vastly improved upon, by all the five-year-olds in town. I would love for your children to find pleasantly and playfully what it took me many angry years to find.
“I now give you my word of honor,” he went on, “that the picture your city owns shows everything about life which truly matters, with nothing left out. It is a picture of the awareness of every animal. It is the immaterial core of every animal—the ‘I am’ to which all messages are sent. It is all that is alive in any of us—in a mouse, in a deer, in a cocktail waitress. It is unwavering and pure, no matter what preposterous adventure may befall us. A sacred picture of Saint Anthony alone is one vertical, unwavering band of light. If a cockroach were near him, or a cocktail waitress, the picture would show two such bands of light. Our awareness is all that is alive and maybe sacred in any of us. Everything else about us is dead machinery.
“I have just heard from this cocktail waitress here, this vertical band of light, a story about her husband and an idiot who was about to be executed at Shepherds town. Very well—let a five-year-old paint a sacred interpretation of that encounter. Let that five-year-old strip away the idiocy, the bars, the waiting electric chair, the uniform of the guard, the gun of the guard, the bones and meat of the guard. What is that perfect picture which any five-year-old can paint? Two unwavering bands of light.”
Ecstasy bloomed on the barbaric face of Rabo Karabekian. “Citizens of Midland City, I salute you,” he said. “You have given a home to a masterpiece!”
Dwayne Hoover, incidentally, wasn’t taking any of this in. He was still hypnotized, turned inward. He was thinking about moving fingers writing and moving on, and so forth. He had bats in his bell tower. He was off his rocker. He wasn’t playing with a full deck of cards.
20
WHILE MY LIFE was being renewed by the words of Rabo Karabekian, Kilgore Trout found himself standing on the shoulder of the Interstate, gazing across Sugar Creek in its concrete trough at the new Holiday Inn. There were no bridges across the creek. He would have to wade.
So he sat down on a guardrail, removed his shoes and socks, rolled his pantlegs to his knees. His bared shins were rococo with varicose veins and scars. So were the shins of my father when he was an old, old man.
Kilgore Trout had my father’s shins. They were a present from me. I gave him my father’s feet, too, which were long and narrow and sensitive. They were azure. They were artistic feet.
• • •
Trout lowered his artistic feet into the concrete trough containing Sugar Creek. They were coated at once with a clear plastic substance from the surface of the creek. When, in some surprise, Trout lifted one coated foot from the water, the plastic substance dried in air instantly, sheathed his foot in a thin, skin-tight bootie resembling mother-of-pearl. He repeated the process with his other foot.
The substance was coming from the Barrytron plant. The company was manufacturing a new anti-personnel bomb for the Air Force. The bomb scattered plastic pellets instead of steel pellets, because the plastic pellets were cheaper. They were also impossible to locate in the bodies of wounded enemies by means of x-ray machines.
Barrytron had no idea it was dumping this waste into Sugar Creek. They had hired the Maritimo Brothers Construction Company, which was gangster-controlled, to build a system which would get rid of the waste. They knew the company was gangster-controlled. Everybody knew that. But the Maritimo Brothers were usually the best builders in town. They had built Dwayne Hoover’s house, for instance, which was a solid house.
But every so often they would do something amazingly criminal. The Barrytron disposal system was a case in point. It was expensive, and it appeared to be complicated and busy. Actually, though, it was old junk hooked up every which way, concealing a straight run of stolen sewer pipe running directly from Barrytron to Sugar Creek.
Barrytron would be absolutely sick when it learned what a polluter it had become. Throughout its history,