ground from my fire salamander, the power to vault through the air from my nighthawk.
I sprint for the tree line and eye a sturdy branch that overhangs the bluff by twenty feet.
I slow my speed just enough that I’m barely beyond the Chained man’s reach.
Fifteen feet to the tree line.
Ten.
Five.
One.
I plunge off the edge of the bluff. The Chained man’s arms reach for me. His fingers claw the skirt of my dress, but then slip off the wet fabric. He plummets off the bluff with a guttural scream.
I fly through the air, drawing my legs up to stick my landing. My feet skid onto the thick branch. I’m balanced, but the branch is too short. I’m going to slide off it.
I crouch forward and grab the branch with my arms. It’s too wet for me to gain any traction. I squeeze harder and cry out with exertion. My legs topple off. I slide onto my stomach, desperately clinging on to the branch. It’s getting thinner, flimsier, as I near its end. I fumble for a forking tree branch. I grip it, and my shoulder yanks hard as I finally come to a stop.
I slump with relief, hanging on to the bending end of the branch, and look below.
The Chained man has fallen into the river. The rapids are sucking him downstream at a helpless rate.
A weighted breath purges from my lungs. Thank you, Elara.
I take a moment to recover my strength, then crawl off the branch and onto blessedly solid ground. I waste no time. I run back for the hollow, soaked and shivering but resolved.
I have to give the jackal bone to Odiva. The dead can’t be ferried yet, but maybe she can lure them with the song and herd them into a cave. We can seal it up with large rocks. The Leurress can guard them there until the next new moon.
My lungs are on fire by the time I reach the hollow. I don’t stop to rest. I pull out the bone knife and skin the flesh off the jackal femur. I’m going to present a clean and ready bone to my matronne. It might help her forgive me for slaughtering the beast.
My hand slips, and the blade of the knife nicks my palm.
Something gives a rasping screech six feet in front of me. I suck in a sharp breath, expecting to see another Chained. But it doesn’t glow with chazoure. It isn’t human in form either.
It’s the silver owl. Here of all places. Feathers drenched as the rain pelts her.
My stomach hardens. I pull the bone onto my lap with my uninjured hand. “We need a bone flute,” I say defensively, assuming that’s why the owl has come. She helped me kill the jackal, after all, when she prevented Odiva from doing the same.
She hops nearer, tilting her head at me. She blinks her beautiful eyes. Somehow I know what she’s trying to communicate. That I need to trust her. That she’s well aware that the dead are swarming South Galle. And Ailesse already has a bone flute—the true flute. She played it on the cliff above the land bridge.
Claim this grace, Sabine, and use it to save your friend.
The thought comes like another voice in my mind. It showers me with calm understanding.
I stare at the owl. The rain doesn’t let up, but I don’t shiver. “Will you help me find her?”
The owl bobs her head, and my heart thumps faster.
I inhale a deep breath and open my palm. The rain washes away most of the blood from my nick, but it’s still bleeding at a steady rate. It will be enough.
I grit my teeth and press the jackal bone against my blood.
34
Ailesse
I SIT CURLED UP NEXT to the relief of Château Creux in Bastien’s hideout, my finger idly tracing the towers that no longer exist there. My famille didn’t always live beneath the castle; we used to dwell in secluded glens of the forest and caves off the shore, but I don’t remember those places. I was a baby when King Godart died from an unnatural death. That was the same year a fierce storm swept the land and battered Château Creux, adding to the rumors that the castle was cursed. But Odiva held a fondness for the place. She moved our famille there when it was abandoned.
I look around me at the room off the quarry where I’ve lived these last ten days. I’ve grown comfortable here—as comfortable as I can be with