way for our benefit, and I look up again at the helicopter still hovering, then I hold my breath and drop below the waves.
Sunlight filters through the surface, the water green and clear just below, then turning darker shades of blue that become murkier and as black as coal. I don’t know how deep the bay is here, but whatever the rope around her ankles is attached to most likely isn’t resting on the bottom, which could be thirty feet or more below the surface. The rope runs straight down, as if there is plenty of tension in it, and I lift my face out of the water. I take a deep breath and motion for Marino to get ready with the gaff.
“I can’t do anything with her right here,” I shout. “We’re going to have to somehow get the entire rig to the boat without causing a lot of damage to her.”
“What entire rig?” Marino asks. “Just move her and the buoy line at the same time. Can’t you do that?”
“No,” I reply. “What we’ve got to do is pull her abeam the boat, right up to the side of it, so we can cut her free without losing anything and get her in the basket.”
I float on the rough surface, the drysuit clinging tightly to me, and I can feel the chill of the water through it.
“The problem’s going to be cutting the rope around her ankles,” I explain. “I don’t want to lose what she’s attached to, the conch pot or whatever it is.”
I want it. There’s not a chance I’m going to let it settle out of sight to the bottom of the bay. I will recover every damn thing in this case, whether it is a barnacle or a pot, cage, container, or cinder blocks. I ask how deep the water is, and Labella tells me forty-two feet, and I’m aware of the helicopter beating overhead. Someone is watching our every move and probably filming it, dammit.
“So the line attached to the conch pot may not be that long.” I blow water out of my mouth, the waves splashing up my neck and over my chin. “It’s pulling her down while another line pulls her up.”
“What other line?” Marino shouts. “It’s just one line, right?”
“What we’ve got are two lines pulling her in two directions,” I emphasize. “The one tied to the fender is a separate line.”
“You mean she’s entangled with something else?” Kletty puzzles.
“No. I mean she’s been tied to two lines,” I repeat slowly, loudly. “One around her neck that’s attached to the fender, and the other around her ankles that leads down to whatever she’s weighted with, a conch pot or who knows what.” I spew out water as I talk.
The life vest keeps me on the surface like a cork, but the chop is getting stiffer, the wind gusting sharply. I work against the current so it doesn’t carry me farther away from the boat.
“So if you pull too hard her head’s going to pop off,” Marino says, with his usual diplomacy.
“She’ll come apart if we’re not really, really careful,” I reply, and by now I’m certain that whoever orchestrated the dumping of the body booby-trapped it.
I’ve no doubt it was deliberate. The person responsible wanted her discovered and intended for someone like me to be in for a gory shock when the body was pulled apart like a wishbone. I can’t imagine any other reason to tie her up this way, and I envision tugging hard on the buoy line the way Marino was about to do a few moments ago and inadvertently decapitating her. We would have recovered only her head or, more likely, no part of her at all.
We’d be forced to call in a dive team or to put on scuba gear ourselves and search the bottom of the bay, finding what we could, maybe nothing, until whatever was left surfaced and washed ashore. The fact is she might never have been found. I can only imagine how such a grisly scenario would play out in court, especially if it were caught on film by a television crew hovering over us in a helicopter. Such a scenario is unthinkable.
A jury would be repulsed, as if what happened was due to callous carelessness or complete incompetence on our part. I’m not sure anybody would understand that some diabolical individual has all but assured that this dead woman will not be recovered intact or possibly ever. Some malignant murderer