he had crawled with flashlight in hand into the damp-smelling, claustrophobic cylinder, he felt his throat tighten and his heartbeat quicken. A familiar emptiness in his gut gripped him. Fear. But he snapped on the light and the darkness receded along with the uneasy feelings, and he set about his work.
Now he stood on the dam and smoked and thought about things. Crowley, the watch sergeant, had been right, the man in the pipe was certainly dead. But he had also been wrong. This would not be an easy one. Harry would not be home in time for an afternoon nap or to listen to the Dodgers on KABC. Things were wrong here. Harry wasn't ten feet inside the pipe before he knew that.
There were no tracks in the pipe. Or rather, there were no tracks that were of use. The bottom of the pipe was dusty with dried orange mud and cluttered with paper bags, empty wine bottles, cotton balls, used syringes, newspaper bedding—the debris of the homeless and addicted. Bosch had studied it all in the beam of the flashlight as he slowly made his way toward the body. And he had found no clear trail left by the dead man, who lay headfirst into the pipe. This was not right. If the dead man had crawled in of his own accord, there would be some indication of this. If he had been dragged in, there would be some sign of that, too. But there was nothing, and this deficiency was only the first of the things that troubled Bosch.
When he reached the body, he found the dead man's shirt—a black, open-collar crew shirt—pulled up over his head with his arms tangled inside. Bosch had seen enough dead people to know that literally nothing was impossible during the last breaths. He had worked a suicide in which a man who had shot himself in the head had then changed pants before dying, apparently because he did not want his body to be discovered soaked in human waste. But the shirt and the arms on the dead man in the pipe did not seem acceptable to Harry. It looked to Bosch as if the body had been dragged into the pipe by someone who had pulled the dead man by the collar.
Bosch had not disturbed the body or pulled the shirt away from the face. He noted that it was a white male. He detected no immediate indication of the fatal injury. After finishing his survey of the body, Bosch carefully moved over the corpse, his face coming within a half foot of it, and then continued through the pipe's remaining forty yards. He found no tracks and nothing else of evidentiary value. In twenty minutes he was back in the sunlight. He then sent a crime scene tech named Donovan in to chart the location of debris in the pipe and video the body in place. Donovan's face had betrayed his surprise at having to go into the pipe on a case he'd already written off as an OD. He had tickets to the Dodgers, Bosch figured.
After leaving the pipe to Donovan, Bosch had lit a cigarette and walked to the dam's railing to look down on the fouled city and brood.
At the railing he could hear the sound of traffic filtering up from the Hollywood Freeway. It almost sounded gentle from such a distance. Like a calm ocean. Down through the cleft of the canyon he saw blue swimming pools and Spanish tile roofs.
A woman in a white tank top and lime-green jogging shorts ran by him on the dam. A compact radio was clipped to her waistband, and a thin yellow wire carried sound to the earphones clamped to her head. She seemed to be in her own world, unaware of the grouping of police ahead of her until she reached the yellow crime scene tape stretched across the end of the dam. It told her to stop in two languages. She jogged in place for a few moments, her long blond hair clinging to sweat on her shoulders, and watched the police, who were mostly watching her. Then she turned and headed back past Bosch. His eyes followed her, and he noticed that when she went by the pump house she deviated her course to avoid something. He walked over and found glass on the pavement. He looked up and saw the broken bulb in the socket above the pump house door. He made a