its lines. The black velvet of her locket nestled with special softness round her neck. That velvet was delicious; at home, looking at her neck in the looking glass, Kitty had felt that that velvet was speaking. She had asked her father if her Class III could have a skin of soft velvet, and she wanted to be dressed to match when it arrived. About all the rest there might be a doubt, but the velvet was delicious. Kitty smiled now too, at the float, when she glanced at it in the glass. Her bare shoulders and arms gave Kitty a sense of chill marble, a feeling she particularly liked. Her eyes sparkled, and her rosy lips could not keep from smiling from the consciousness of her own attractiveness.
She had scarcely jumped from the stairs into the interlocking airstreams and reached the throng of ladies, all tulle, ribbons, lace, and flowers, all of the feminine trim gently oscillating in the carefully controlled winds, when she was asked for the next waltz, and asked by the best partner, the first star in the hierarchy of the ballroom, a renowned director of dances, a married man, handsome and well-built, Yegorushka Korsunsky. Without even asking her if she cared to dance, Korsunsky put out his arm to encircle her slender waist, bent deeply at the waist, and at the sound of the next air-chime launched them up together. They ascended rapidly on three subsequent puffs, Kitty’s dress billowing beneath her, leaving below them the throngs of ladies and elegant gentlemen angling for partners.
Three regiments of 77s stood guard at the edges of the room, their dense metal frames resolutely, reassuringly earthbound, their heads tirelessly rotating, even as the supernatant revelry proceeded all around, beside, and above them. Their Caretaker in gold uniform and epaulets kept his vigilant, protective gaze upon the crowd.
“How nice you’ve come in good time,” Korsunsky said to Kitty, as they dropped a foot and then shot giddily back up on the three-beat. “Such a bad habit to be late.” Bending her left hand, she laid it on his shoulder, and her little feet in their pink slippers followed his as he led them through a tricky maneuver, moving over and up, over and up, catching each new burst of air at just the right moment, waltzing diagonally toward the ceiling.
“It’s a rest to waltz with you,” he said to her, as they glided through the waltz. “It’s exquisite—such lightness, precision.” He said to her the same thing he said to almost all his partners whom he knew well.
She smiled at his praise, and continued to look down at the room below them. She was not like a girl at her first float, for whom the tops of all the heads melt into one vision of fairyland. And she was not a girl who had gone the stale round of floats till every pate was familiar and tiresome. But she was in the middle stage between these two; she was excited, and at the same time she had sufficient self-possession to be able to observe.
Kitty turned her attention to her fellow dancers, as the music slowed from triple time to a common four-four and the air slowed with it, transforming from the swift, giddy puff-puff-puff of waltzfloating to a controlled series of magisterial gusts. Doing a slow pirouette in the air was the beauty Lidi, Korsunsky’s wife; swanning past, nearly horizontal, was the lady of the house; dancing upside down, catching the air with his rear end and kicking his legs in a comical bicycling motion, was old Krivin, always to be found where the best people were. Down below, in the seating area, Kitty caught sight of Stiva, and beside him the exquisite figure and head of Anna, with Android Karenina beside her, glowing not lilac, but purest black.
And he was here too, silver uniform gleaming in the candlelight, his hot-whip crackling wickedly where it encircled his upper thigh. Kitty had not seen him since the evening she refused Levin. With her longsighted eyes, she knew him at once, and was even aware that he was looking at her.
“Where shall I alight you?” said Korsunsky, a little out of breath, as the air song came to the end and the airstreams began to weaken in force, bringing the dancers closer to the floor with each subsequent gust.
“Madame Karenina’s here, I think . . . take me to her.”
“Wherever you command.”
And Korsunsky began waltzing their measured way, downward and diagonally,