Aramovsky the secret of the symbols so he could take over as leader—she told him where to send me.
He gave me up to Matilda.
“We didn’t know there were so many of them,” he says. “If you had grabbed her at the gate, like you were supposed to, she wouldn’t have been at risk.” He tilts his head toward me. “Besides—she looks fine.”
Matilda adjusts her mask, as if the fit bothers her.
“She looks filthy. But we did run late. Sometimes old bodies do not react as quickly as one would like. At any rate, a deal is a deal.” She looks off to her left. “Bring them.”
I hear heavy footsteps approaching. I crane my head up to see—it’s Coyotl, young and strong and smiling, carrying a large, carved box.
I feel heavier, like I’m sinking into this coffin, like I’m drowning in darkness. Coyotl has been overwritten—same as Bello, same as Beckett. Coyotl walks and talks and looks like my friend, the one who taught me how to sharpen the spear, but my friend is gone forever.
He sets the box down on my thighs.
“See, Matilda?” he says. “I told you she was in good shape.”
A whining tone to his voice. He is desperate to please her, but Matilda is far from pleased.
“Your body has far less damage, Uriah,” she says to him. “Look at her. She hasn’t fixed anything. Some of those scars are never going to come out.”
Coyotl shrugs. “You might have to hose her down first. All that camouflage on her face…somehow she fooled herself into thinking she’s a knight.”
A knight? Is that what the circle-stars are really called?
“The folly of youth,” Matilda says. “Such beauty, yet she doesn’t care. I was like that once. I won’t make that same mistake again. I’ll treasure my youth. This time, I’ll savor every last moment of it.”
Coyotl reaches into the box, pulls something out, holds it up for Aramovsky to see—it’s a silver bracelet. The ceiling lights play off the white stone, gleam against the long metal point.
“Twenty of them,” Coyotl says.
Aramovsky slowly reaches out a trembling hand, takes the bracelet.
“Twenty,” he says. “With these and our war machines, we’ll slaughter the Springers. How do I use it?”
Matilda pulls Aramovsky closer to her. I see his lip curl slightly, involuntarily.
“Remember our deal,” she says, her words syrupy sweet. “When you attack, you will not use people on the list I gave you. Their creators are waiting—those shells must not be risked.”
He hasn’t attacked yet. There’s still time.
Aramovsky nods. “I understand. And should I still send you Bishop, Gaston and Borjigin?”
“Yes,” she says. “And make sure you do it before the battle. We need to take out the strongest first, a few at a time, so there are no more accidents. Make sure they come alone, and through the entrance I showed you. We’ll gas them there so they don’t put up a struggle—these children are dangerous.” Matilda looks down at me. “You cut off Visca’s head with a shovel? Really, my dear, that’s so…well, so savage.”
An insane cackle bubbles out from behind her mask.
Aramovsky lifts the box off my thighs. He starts to turn away, then stops, turns back, leans close.
“Don’t be afraid,” he says. “The gods want this for you.”
He means it. He believes every word.
I spit in his face.
He stands, shocked and angry, spit clinging to one closed eye. He wipes it away with the sleeve of his red robe.
“You’ve always thought you were smarter than me,” he says.
“Not smarter,” I say. “Deadlier. Tell your gods I’ll send you to meet them very soon.”
Coyotl guides Aramovsky away, somewhere behind me. They must be walking to the racks with the empty plastic bins.
“Leave her be,” Coyotl says. “I’ll walk you out and show you how to use the bracelets.”
My brave words ring hollow. The reality of my situation pushes down on me. I have failed in every way. Barkah’s people outnumber mine a hundred to one, maybe more, but those bracelets will even the odds. Aramovsky is only going to use people that don’t have a living Grownup ready to take over their body. Many of those that fight will die, sacrifices to the God of Blood. Those that do not fight will be rounded up a few at a time, then their minds will be wiped, their young bodies used as a vessel for ancient evil.
Just as I will be used.
Matilda delicately reaches for my face. I thrash my head away, lurch at my restraints, but there is no escape.