called, 'You hear that, asshole?'
No response.
Silence.
The guy with the flashlight jerked the beam back towards the dining room and his partner led the doctor's wife back down the hallway and pushed her inside and closed the door on her again. He said, 'So?'
The guy with the flashlight said, 'We wait for daylight.'
'That's four hours away.'
'You got a better idea?'
'We could call the mothership.'
'They'll just tell us to handle it.'
'I'm not going down there. Not with him.'
'Me either.'
'So what do we do?'
'We wait him out. He thinks he's smart, but he isn't. We can sit in the dark. Anyone can. It ain't exactly rocket science.'
They followed the dancing beam back to the living room and sat side by side on the sofa with the old Remington propped between them. They clicked off the flashlight, to save the battery, and the room went pitch dark again, and cold, and silent.
Mahmeini's man walked parallel with the driveway for a hundred yards and then came up against a length of fence that ran south directly across his path. It defined the lower left-hand part of the crossbar of the hollow T that was the Duncans' compound. It was made of five-inch rails, all of them a little gnarled and warped, but easy enough to climb. He got over it without any difficulty and paused for a second with the three pick-up trucks and the Mazda parked to his left, and the southernmost house straight in front of him. The centre house was the only one that was dark. The southernmost and the northernmost houses both had light in them, faint and a little secondhand, as if only back rooms were in use and stray illumination was finding its way out to the front windows through internal passageways and open doors. There was the smell of wood smoke in the air. But no sound, not even talking. Mahmeini's man hesitated, choosing, deciding, making up his mind. Left or right?
Cassano and Mancini came on the compound from the rear, out of the dark and dormant field, and they stopped on the far side of the fence opposite the centre house, which was Jonas's, as far as they knew. It was closed up and dark, but both its neighbours had light in their kitchen windows, spilling out in bright bars across the weedy backyard gravel. The gravel was matted down into the dirt, but it was still marginally noisy, Cassano knew. He had walked across it earlier in the day, to find undisturbed locations for his phone conversations with Rossi. Their best play would be to stay on the wrong side of the fence, in the last of the field, and then head directly for their chosen point of entry. That would reduce the sound of their approach to a minimum. But which would be their chosen point of entry? Left or right? Jasper's place, or Jacob's?
All four Duncans were in Jasper's basement, hunting through old cartons for more veterinary anaesthetic. The last of the hog dope had been used on Seth's nose, and his busted hand was going to need something stronger anyway. Two fingers were already swollen so hard the skin was fit to burst. Jasper figured he had something designed for horses, and he planned to find it and flood Seth's wrist joint with it. He was no anatomist, but he figured the affected nerves had to pass through there somewhere. Where else could they go?
Seth was not complaining at the delay. Jasper figured he was taking it very well. He was growing up. He had been petulant after the broken nose, but now he was standing tall. Because he had captured his assailant all by himself, obviously. And because he was planning what to do with the guy next. The glow of achievement and the prospect of revenge were anaesthetics all by themselves.
Jonas asked, 'Is this it?' He was holding up a round pint bottle made of brown glass. Its label was stained and covered in long technical words, some of them Latin. Jasper squinted across the dim space and said, 'Good man. You found it.'
Then they heard footsteps on the floor above their heads.
Chapter Twenty-One
FORTY-SEVEN
JACOB WAS FIRST UP THE CELLAR STAIRS. HIS FIRST THOUGHT WAS that a football player was checking in, but the floors in their houses were typical of old-style construction in rural America, built of boards cut from the hearts of old pines, thick and dense and heavy, capable of transmitting noise but not detail. So it was not