grandmother.”
“This is politics, Avery. Politics and sensationalism. There is no safe ground.”
CHAPTER 20
Rill
The man’s name is Darren, and the woman’s name is Victoria, but we’ve been told that we’re to call them Papa and Mommy, not Darren and Victoria or Mr. Sevier and Mrs. Sevier. It doesn’t bother me much. I’ve never called anyone Papa or Mommy, so the words don’t have a place in me one way or the other. They’re just words. That’s all.
Queenie and Briny are still our folks, and we’re still going back to them, soon as I can find a way. It won’t be hard as I thought it might be. The Sevier house is big and filled with rooms no one uses, and out back there’s a wide porch that looks over fields of tall trees and green grass, and all of it slopes on down to the best thing ever—the water. It’s not the river; it’s a long, skinny oxbow lake that drains off into a place called Dedmen’s Slough…and Dedmen’s Slough goes all the way down to the Mississippi. I found that out because I asked Zuma, who cleans this place and fixes the meals and lives over the old carriage house, where Mr. Sevier parks his cars. He has three cars. I’ve never even met anybody that has three cars.
Zuma’s husband, Hoy, and their girl, Hootsie, live out there with her. Hoy keeps the yard and takes care of a pen of chickens, Mr. Sevier’s hunting dogs that bark and howl all night, and a pony Mrs. Sevier has been telling us for two weeks now we can go riding on if we want to. I said that we don’t like ponies, even though it’s not true. I let Fern know she better not say any different.
Zuma’s husband is big and scary and black as the dickens, and after being at Mrs. Murphy’s, I don’t want some yardman getting me or Fern off by ourselves anyplace. I don’t want us alone with Mr. Sevier. He’s tried to take us out to the pony too, but only because Mrs. Sevier made him. He’ll do just about anything to keep her from wandering off down the path to the garden where two babies born dead and three that were never born at all have graves with little stone lambs on top. When Mrs. Sevier goes out there, she lays on the ground and cries. Then she comes home and gets in her bed and stays. There’s old scars across her wrists. I know why they’re there, but I don’t tell Fern, of course.
“Just sit in her lap, and let her fix your hair and play dolls with you. Make sure she’s happy,” I tell Fern. “No crying and don’t wet the bed. You hear me?” That’s the only reason the Seviers brought me here in the first place—because Fern wouldn’t stop crying and bed-wetting and carrying on.
Mostly, Fern’s been doing pretty good now. Some days, though, there’s not a thing that’ll help Mrs. Sevier. Some days, she don’t want to be touched by another living soul. She only wants the dead.
When she lays up in her bed and cries over the babies she lost, Mr. Sevier hides in his music room, and we’re stuck with Zuma, who thinks having us around makes too much work for her. Mrs. Sevier used to buy things for Zuma’s little girl, Hootsie, who’s ten, two years younger than me. Now Mrs. Sevier buys things for us instead. Zuma ain’t one bit happy about that either. She’s weaseled enough information out of Fern to know where we’re from, and she can’t see why somebody fine as Mr. and Mrs. Sevier would want river trash like us anyhow. She lets us know it, but she can’t say it where Mrs. Sevier might hear, of course.
Zuma doesn’t dare hit us, but she’d like to. When Hootsie acts up, Zuma wears out Hootsie’s skinny behind. Sometimes, Zuma shakes that long wood spoon our way when nobody’s looking and says, “Oughta be grateful. Oughta be kissin’ the missus feet, her even lettin’ you in this fine house. I know what you is, and don’ you be fo’gettin’ it neither. You’s only here till the missus gits a baby a’ her own. Mister thinks, if she quit worrin’ about it so hard, it gonna happen. When it do, you li’l river rats be gone like smoke. Out wit’ the trash. Y’all only here fo’ now. Don’ be makin’ yo’self to home. I seen