of the Toll
Hear now, all who can discern true from fact, the indisputable account of the Toll, called forth from the beginning of time by the Great Resonance to walk among us, the Tone made flesh, in order to link us, the lost chosen, to the harmony from which we have fallen. Thus it came to pass in the Year of the Raptor that the Tone heralded a new era with a call heard round the world, and in that glorious moment breathed life into the mind-machine of humankind, making it a thing divine, and completing the sacred Triad of Tone, Toll, and Thunder. All rejoice!
Commentary of Curate Symphonius
These first lines of the account of the Toll’s life set forth the basis of Tonist belief that the Toll was not born, but existed in a non-corporeal form until the Great Resonance caused him to coalesce into flesh. The Year of the Raptor is, of course, not an actual year, but a period of human history plagued by voracious appetites and vicious excesses. But if the Toll existed from the beginning of time, what of the Thunder, and exactly what is the mind-machine? While there has been much debate, it is now generally accepted that the mind-machine refers to the collective voices of humankind called to life by the Great Resonance, which implies that humanity itself was not actually alive until the Tone resonated in flesh. In other words, humanity existed only as an idea in the mind of the Tone until that moment.
Coda’s Analysis of Symphonius
In studying the commentary of Symphonius, one must take his broad conclusions with a grain of salt. While no one questions that the Toll existed as a spirit-entity at the beginning of time, his or her presence on Earth can be traced to a specific time and place—and the assumption that the Year of the Raptor was not an actual year is ludicrous, when evidence exists to show that time was once counted in cycles of planetary rotation and revolution. As to what the “mind-machine” refers to, Symphonius’s opinions are merely that: opinions. Many believe that the Thunder refers to a collection of human knowledge—perhaps with mechanical arms for the rapid turning of pages. A library of thought, if you will, roaring into consciousness after the arrival of the Toll on Earth, much like thunder follows lightning.
12 The Broken Bridge
The Year of the Raptor was gone; the Year of the Ibex had begun. But the bridge—or what was left of it—knew no such distinctions.
It was a relic of a different age. A colossal piece of engineering from a complicated and stressful time, when people ripped out their hair and tore their clothes, maddened by a thing called traffic.
Things were much easier in the post-mortal world, but now stress and complication had returned with a vengeance. It made one wonder what else might return.
The great suspension bridge was named after the mortal-age explorer Giovanni da Verrazzano. It marked the approach to Manhattan—which was no longer called that. The Thunderhead had chosen to rename New York City “Lenape City” after the tribe who sold it to the Dutch all those years ago. The English had then taken it from the Dutch, and the newly born United States of America had taken it from the English. But now all those nations were gone, and Lenape City belonged to everyone—a towering place of museums and lush high-line parks wrapping like ribbons between the pinnacles of skyscrapers. A place of both hope and history.
As for the Verrazzano Bridge, it ceased to serve its function many years ago. Since no one in Lenape was in a rush to get from one place to another anymore, and since arrival in the great city should take one’s breath away, it was determined that the only acceptable way to arrive in Lenape City would be by ferry. So the various bridges were shut down, and from that moment forward, visitors would now pass through the Narrows like immigrants of old coming to seek a better life, and be greeted there by the great statue that was still called Liberty—although its green copper had been replaced by gleaming gold, and its flame fashioned from rubies.
Copper aspires to gold, and glass to a precious gem went the famous words of the last mayor of New York, before he stepped down and allowed the Thunderhead full dominion. “So let our city’s crowning glory be rubies in a setting of gold.”
But even before visitors saw Miss Liberty and