Cemetery, Les Innocents. Armand, I hope, will always be around.
And Gabrielle, my mortal mother and immortal child will no doubt turn up one of these nights sometime before the end of another thousand years, if I'm lucky.
As for Marius, my old teacher and mentor, the one who kept the historical secrets of our tribe, he is still with us and always will be. Before this tale began, he would come to me now and then to scold and plead: Would I not stop my careless kills which invariably found their way into the pages of mortal newspapers! Would I not stop deviling my mortal friend David Talbot, and tempting him with the Dark Gift of our blood? Better we make no more, did I not know this?
Rules, rules, rules. They always wind up talking about rules. And I love to break the rules the way mortals like to smash their crystal glasses after a toast against the bricks of the fireplace.
But enough about the others. The point is-this is my book from start to finish.
Let me speak now of the dreams that had come to trouble me in my wanderings.
With Claudia, it was almost a haunting. Just before my eyes would close each dawn, I'd see her beside me, hear her voice in a low and urgent whisper. And sometimes I'd slide back over the centuries to the little colonial hospital with its rows of tiny beds where the orphan child had been dying.
Behold the sorrowful old doctor, potbellied and palsied, as he lifts the child's body. And that crying. Who is crying? Claudia was not crying. She slept as the doctor entrusted her to me, believing me to be her mortal father. And she is so pretty in these dreams. Was she that pretty then? Of course she was.
"Snatching me from mortal hands like two grim monsters in a nightmare fairy tale, you idle, blind parents!"
The dream of David Talbot came once only.
David is young in the dream and he is walking in a mangrove forest. He was not the man of seventy-four who had become my friend, the patient mortal scholar who regularly refused my offer of the Dark Blood, and laid his warm, fragile hand on my cold flesh unflinchingly to demonstrate the affection and trust between us.
No. This is young David Talbot of years and years ago, when his heart didn't beat so fast within his chest. Yet he is in danger.
Tyger, tyger burning bright.
Is that his voice, whispering those words or is it mine?
And out of the dappled light it comes, its orange and black stripes like the light and shade itself so that it is scarcely visible. I see its huge head, and how soft its muzzle, white and bristling with long, delicate whiskers. But look at its yellow eyes, mere slits, and full of horrid mindless cruelty. David, its fangs! Can't you see these fangs!
But he is curious as a child, watching its big pink tongue touch his throat, touch the thin gold chain he wears around his throat. Is it eating the chain? Good God, David! The fangs.
Why is my voice dried up inside me? Am I even there in the mangrove forest? My body vibrates as I struggle to move, dull moans coming from behind my sealed lips, and each moan taxes every fiber of my being. David, beware!
And then I see that he is down on one knee, with the long shiny rifle cocked against his shoulder. And the giant cat is still yards away, bearing down on him. On and on it rushes, until the crack of the gun stops it in its tracks, and over it goes as the gun roars once again, its yellow eyes full of rage, its paws crossed as they push in one last final breath at the soft earth.
I wake.
What does this dream mean-that my mortal friend is in danger? Or simply that his genetic clock has ticked to a stop. For a man of seventy-four years, death can come at any instant.
Do I ever think of David that I do not think of death?
David, where are you?
Fee, Fie, Fo, Fum, I smell the blood of an Englishman.
"I want you to ask me for the Dark Gift," I'd said to him when first we met. "I may not give it to you. But I want you to ask."
He never had. He never would. And now I loved him. I saw him soon after the dream. I had to. But I could not forget