would just hop over me like a Kung Fu Theater extra, and they’d come at me from two directions at once.
In fact, if I were them, and had tracked me to that alley…
The chattering gunfire from behind me ceased, and I realized what was happening.
I raised my staff as I neared the far end of the alley, pointed it ahead of me, and screamed, “Forzare!”
My timing wasn’t perfect. The unseen force I released from the end of the staff rushed out ahead of me, an invisible battering ram. It struck the third gruff just as the fae-thug stepped around the corner, a massive oak cudgel readied in his hands. The blast didn’t hit him squarely. It would have thrown him a goodly ways if it had. Instead it caught the right side of his body, ripping the cudgel away from him and sending the gruff into a drunken, spinning stagger.
I don’t know much about goats, but I do know a little about horses, having taken care of my second mentor Ebenezar McCoy’s riding horses on his little farm in Missouri. Their feet are awfully vulnerable, especially considering how much weight they’re putting on such a relatively small area. Any one of a hundred little things can go wrong. One of them is the possibility that some of the surprisingly frail little bones just above the back of the hoof could be fractured or broken. A pastern or fetlock injury like that can lame a horse for weeks, even permanently.
So as I passed the staggered gruff, I swung my heavy staff like a baseball bat, aiming at the back of one of his hooves. I felt the impact in my hands and heard a sharp crack. The gruff let out a high-pitched and utterly bestial scream of surprise and pain, and tumbled to the snow. I all but flew on by, lengthening my stride, crossing the street and heading for the nearest corner, before his buddies could get a clear shot at me.
When you drive game, you’d damn well better be sure that the one you’re driving the prey toward is ready and able to handle it.
I ducked around the next corner maybe half a second before the guns behind me coughed and burped again, chewing chips of brick from the wall. There was a steel door on the side of the building, an exit-only door with no handle on the outside. I couldn’t stay ahead of the gruffs for long. I took a chance, stopped, and pressed my hand against the door, hoping like hell it had a push-bar opening mechanism and not a dead bolt.
Something went right. I felt the bar on the other side, reached out with my will and another murmur, “Forzare,” and directed the force against the other side of the door. It popped open. I went through and pulled it shut behind me.
The building was dark, silent, and almost uncomfortably warm in contrast with the night outside. I leaned my head against the metal door for a second, panting. “Good door,” I wheezed. “Nice door. Nice, locked, hostile-to-faeries door.”
My ear was in contact with the door, and it was the only reason I heard the movement immediately on its other side. Snow crunched quietly.
I froze in place.
I heard a scraping sound, and a snorted breath that sounded like something you’d hear from a horse. Then nothing.
It took me maybe three seconds to realize that the gruff on the other side of the door was doing the same thing I was: listening to see if he could hear who was on the other side.
It couldn’t have been more than six inches away.
And I was standing there in complete darkness. If something went wrong and the gruff came in after me, I could forget running. I couldn’t see the floor, the walls, or any obstacles that might trip me up. Like stairs. Or a mound of rusty razor blades.
I froze, not daring to move. Metal door or not, if the gruff had the right submachine gun and the right kind of ammunition, he could riddle me with holes right through the steel. There was no telling what other weapons he might be packing, either. I’d once seen a sobering demonstration of how to skewer someone on a sword from the other side of a metal door, and it hadn’t been pretty.
So I stood very still and tried to think quietly.
It was about then that I remembered one of those movies with the maniac in the ghost mask,