pointing at the journals. “Everything you wrote, Father. And anything else that’s of value to you. I don’t know what condition the cave will be in next time you see it.” She looked up at the markings on the ceiling with a sense of foreboding, wondering how long it would be before they’d be defaced, and asked for permission to film their exit, which was given. She got Dalton to shoot a quick take of the cave and of its ceiling while the others helped Father Jerome gather his belongings.
Before long, they were back under the stars and heading down the mountain.
Chapter 36
Brighton,Massachusetts
Matt was just sliding out from under the big Mercedes when he heard the back door of the house creak open.
He huddled against the car’s front passenger door and froze. He couldn’t risk a look, but he didn’t need to. The odds were, it was the hard case in the suit, but he knew he was in trouble regardless of who was coming out of the house. The Merc was blocking the Chrysler and the van. Before either of them could be driven out, the Merc would have to be moved first. And the Merc itself was exposed. It had yards of open air in front and behind it, the side and rear of the house to its left and the five-foot hedge that separated the two houses to its right, behind Matt. All of which meant that if anyone was driving anywhere, the Merc was about to move, and Matt was about to find himself out of cover.
He was stuck. He’d known it was a possibility going in, but he’d still gone ahead with it, thinking it worth the risk. Right now, as he listened to the approaching footsteps, he sorely regretted not going with his original firebombing plan. Then again, everything looked better with hindsight, especially when your back was up against a wall—or, in this case, a dense, impenetrable five-foot hedge.
There was more than one set of footsteps, and he figured there were at least two of them approaching. If they were going into the Merc, he’d have someone in his face in a matter of seconds. He crouched down, cheek to the ground, trying to get a handle on how many of them there were and which way they were heading. The backyard sloped upward. He couldn’t see anything for a tense moment, then one pair of shoes appeared—black brogues, the hard case’s shoes, he thought—closely followed by another. Two of them. Headed for the Merc. The hard case must have hit his alarm key fob, as the car beeped and the locks popped open with a loud snap.
Matt didn’t have a choice.
He coiled up, waiting, his ears straining to pick up the approaching footsteps. He heard a door click open, the driver’s door—and then a figure appeared on his side of the car, rounding the front right fender, a guy with high cheekbones and a brush cut that Matt thought he recognized from the car staking out Jabba’s place. Matt just sprung up before the guy could react, catching him by surprise and landing a crushing fist on his chin. Brush Cut’s face juddered sideways, twisting unnaturally around his neck, a loud, wet wheeze rushing out of his chest and mouth. He was tough and didn’t go down. Instead, he tried to turn in and fight back, but Matt was now close enough to inflict more serious damage and hooked him with a ferocious uppercut that lifted Brush Cut momentarily off his feet before sending him staggering backward.
Matt heard movement on the other side of the car and, from the corner of his eye, saw the hard case in the suit stepping back and reaching under his coat. Brush Cut was groggy and having a hard time staying on his feet. Matt grabbed him from behind, curling his left hand around the guy’s neck while diving his right hand under the guy’s jacket, praying his fingers would find a gun somewhere. On the other side of the Merc, the hard case had his own gun out. He chambered a round and raised the gun at Matt, with Brush Cut between them.
Matt hit pay dirt. Brush Cut had a handgun tucked under his jacket, in a belt holster on his right hip. Matt’s fingers found the gun’s ribbed grip and yanked it out. He raised it, his right arm extended, level with his hostage’s ear, and aimed it straight at the hard case.
“Get back,”