The Passage - By Justin Cronin Page 0,250

came by this morning. Said they found a girl.”

She couldn’t say for sure what all he wanted. There was something sad about him, defeated seeming. Usually Auntie would have welcomed a bit of company, but as the silence continued, this strange, sullen man she only vaguely recalled sitting across from her with a hangdog look on his face, she began to feel impatient. Folks shouldn’t just come barging into a place with nothing on their minds.

“I don’t really know why I came by. There was something I think I was supposed to tell you.” He sighed heavily, rubbing a hand over his face. “I really should be on the Wall, you know.”

“You say so.”

“Yeah, well. That’s where the First Captain should be, right? On the Wall?” He wasn’t looking at her; he was looking at his hands. He shook his head in a way that seemed like maybe the Wall was the last place on earth he wanted to be. “It’s something, huh? Me, First Captain.”

Auntie had nothing to say to that. Whatever was on this man’s mind, it had nothing to do with her. There were times when you couldn’t fix what was broken with words, and this looked like one of those times.

“You think I could have a cup of tea, Auntie?”

“You want, I make you one.”

“If it’s no trouble.”

It was, but there seemed no escaping it. She rose and put the kettle on to boil. All the while the man, Jimmy Molyneau, sat silently at the table, looking at his hands. When the water began to thrum in its kettle she poured it through the strainer into a pair of cups and carried it back.

“Careful. It hot now.”

He took a cautious sip. He seemed to have lost all interest in talking. Which was fine by her, all things considered. Folks came in time to time to talk about a problem, private things, probably thinking since she lived alone like she did and saw almost no one that she’d have nobody to tell. Usually it was women, come to talk about their husbands, but not always. Maybe this Jimmy Molyneau had a problem with his wife.

“You know what people say about your tea, Auntie?” He was frowning into his cup, like the answer he was looking for might be floating in there.

“What’s that now?”

“That it’s the reason you’ve lived so long.”

More minutes passed, a weighty silence pressing down. At last he took a final sip of tea, grimacing at the taste, and returned it to the table.

“Thanks, Auntie.” He climbed wearily to his feet. “I guess I better be going. It’s been nice talking to you.”

“Ain’t no bother.”

He paused at the door, one hand poised on the frame. “It’s Jimmy,” he said. “Jimmy Molyneau.”

“I know who you are.”

“Just in case,” he said. “In case anybody asks.”

The events that began with Jimmy’s visit to Auntie’s house were destined to be misremembered, beginning with the name. The Night of Blades and Stars was, in fact, three separate nights, with a pair of days between. But as with all such occurrences—those destined to be recounted not only in the immediate aftermath but for many years to come—time seemed compressed; it is a common error of memory to impose upon such events the coherence of a concentrated narrative, beginning with the assignment of a specific interval of time. That season. That year. The Night of Blades and Stars.

The error was compounded by the fact that the events of the night of the sixty-fifth of summer, from which the rest descended, unfolded in a series of discrete compartments with overlapping chronologies, no single piece being wholly aware of the others. Things were happening everywhere. For instance: while Old Chou was rising from the bed he shared with his young wife, Constance, propelled by a mysterious urge to go to the Storehouse, across the Colony, Walter Fisher was thinking the same thing. But the fact that he was too drunk to get out of bed and lace his boots would delay his visit to the Storehouse, and his discovery of what lay there, by twenty-four hours. What these two men had in common was that they had both seen the girl, the Girl from Nowhere, when the Household had visited the Infirmary at first light; but it was also true that not everyone who had encountered her firsthand experienced this reaction. Dana Curtis, for instance, was wholly unaffected, as was Michael Fisher. The girl herself was not a source but a conduit, a way