The Passage - By Justin Cronin Page 0,249

hand. Tonight was not a night for these old things. It was Peter she meant to write on. She expected he’d be along directly, this boy with the stars inside him.

Things came to her in their way. She supposed it was because she’d lived so long, like she was a book herself and the book was made of years. She remembered the night Prudence Jaxon had appeared at her door. The woman was sick with the cancer, well on her way, much before her time. Standing there in Auntie’s door with the box pressed to her chest, so brittle and thin it was like she could blow away in the wind. Auntie had seen it so many times in her life, this bad thing in the bones, and there was never any right thing to do except to listen and do like the person asked, and that was what Auntie did for Prudence Jaxon that night. She took the box and kept it safe, and it wasn’t but a month before Prudence Jaxon was dead.

He has to come to it on his own. Those were the words Prudence had said to Auntie, true words; for it was the way of all things. The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass.

But Peter, she thought; it wasn’t the train but Peter she had meant to write on. (Only where had they been going? Auntie wondered. Where had they taken a train to that one time, the two of them together, she and her daddy, Monroe Jaxon? They had been going to visit her gramma and cousins, Auntie remembered, in a place he called Downsouth.) Peter, and the train. Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended and the train took you away to another, and the next thing you knew you were standing in the dust with helicopters and soldiers all around, and all you had to remember folks by was the picture you found in the pocket of your coat, the one your mama, who you would never see again in all the days of your life, had slipped in there when she’d hugged you at the door.

By the time Auntie heard the knock, the screen opening and slapping as the person who’d come calling let themselves in, she’d almost stopped her stupid old crying. She’d sworn to herself she wouldn’t do it anymore. Ida, she’d said to herself, no more crying over things you can’t do nothing about. But here she was, all these years gone by, and still she could work herself into such a state whenever she thought about her mama, tucking that picture in her pocket, knowing that by the time Ida found it, the two of them would be dead.

“Auntie?”

She’d expected it would be Peter, come with his questions about the girl, but it wasn’t. She didn’t recognize the face, floating in the fog of her vision. A squished-up narrow man’s face, like he’d gotten it jammed in a door.

“It’s Jimmy, Auntie. Jimmy Molyneau.”

Jimmy Molyneau? That didn’t seem right. Wasn’t Jimmy Molyneau dead?

“Auntie, you’re crying.”

“Course I’m crying. Got something in my eye is all.”

He slid into the chair across from her. Now that she had found the right pair of glasses from the lanyards around her neck, she saw that he was, as he claimed, a Molyneau. That nose: it was a Molyneau nose.

“What you want then? You come about the Walker?”

“You know about her, Auntie?”

“Runner