that girl? Is she drunk, on drugs? So pale! And that nice young man looking so surprised, so astonished.
And that was the whole thing of it: Johnny Found did look like a 'nice young man'. When Harry Keogh had seen him, he'd been surprised that he didn't more nearly fit the bill. Medium height and blocky build; blond, shoulder-length hair; good, square teeth in a full mouth with a droopy, almost innocent smile... only his slightly sallow complexion marred the boy-next-door image. That and his eyes, which were dark and deep-sunken. And the fact that he lived in a pigsty. And that he was a coldblooded ravager of both living and dead flesh.
Penny blurted an apology to the gaping, spluttering fat man where he fingered his milk-soaked jacket, looked up and saw Johnny closing with her, turned and fled for the swing doors. Johnny glanced around at the dozen or so nearby patrons in their booths, shrugged and pulled a wry face, as if to say: 'A weirdo... nothing to do with me, folks!' and calmly walked after her.
But he was so intent on his act, and on following the girl into the night, that as he caught the still swinging door on the inswing and passed out through it he didn't see the two sharp-eyed men starting to their feet and coming after him.
Outside Penny turned frantically this way and that. A thin mist lay on the tarmac of the sprawling, tree-bordered car park; the headlights of vehicles on the nearby trunk road blinded her where they went scything by; she couldn't see Harry anywhere. But Johnny Found could see Penny, and he was right behind her.
She heard the crunch of gravel on the path leading back to the diner's door but didn't dare turn round. Of course, it could be anyone... but it could also be him. She felt rooted to the spot, all of her senses straining to identify what if anything was going on behind her, but utterly incapable of turning round and using the most obvious sense of all. And: God! she prayed. Please let it not be him!
But it was.
'Penny?' he said, sly and yet somehow wonderingly.
Now she turned, but with a sort of slow-motion jerkiness, like a puppet controlled by a spastic puppeteer. And there he was, bearing down on her, wearing a painted-on smile under eyes that were jet-black and flint-hard.
Her heart very nearly stopped; she wanted to cry out but could only choke; she almost fainted into his arms. He caught her up, looked quickly all around and saw no one. And: 'Mine!' he gurgled, glaring into her half-glazed, sideways-sliding eyes behind their fluttering lids. 'All Johnny's now, Penny!'
He wanted to ask her questions, right now, right here, but knew she wouldn't hear them. She was sliding away from him - away from the horror of him - into another world. Escaping into unconsciousness. That was a laugh. Why, no way she could escape from Johnny! Not even into death!
Here, in front of the diner, was the car park; behind it was the lorry park, and dividing the two a belt of trees with paths between. Johnny picked Penny up, hurried with her into the cover of the trees, carried her through them light as a child. Behind him the E-Branch spotter and a Special Branch Detective Inspector erupted from the diner, glanced this way and that, saw him hurrying into darkness.
They came running after him - and the Necroscope came loping after them.
Harry had heard her cry out. Not aloud, for she'd been too terrified to make any sound whatsoever. He'd heard her in his mind. She was his thrall, and she'd called to him. The call had come just as he was leaving the disabled police car, and at first he hadn't known what it was. But the vampire in him had known. He had seen Found carrying Penny into the screening trees, towards the lorry park, and he'd seen the two men from the diner running after him. All of them were moving quickly, but not as quick as Harry.
His lope was more wolf - more alien - than human, and he covered ground like the shadow of a fast-fleeting cloud under the moon. But as he entered the trees on a diagonal course calculated to intercept Johnny Found and his captive, he knew he'd made a mistake. The trees and the shrubs beneath them were an ornamental screen designed to separate the two car parks, and as