earn the small sum he needed to keep body and soul together.
The Asile de Nuit is a large stone building where pauper and vagabond may get a bed for a week, provided their papers are in order and they can persuade the friars in charge that they are workingmen. Captain Nichols noticed Strickland for his size and his singular appearance among the crowd that waited for the doors to open; they waited listlessly, some walking to and fro, some leaning against the wall, and others seated on the curb with their feet in the gutter; and when they filed into the office he heard the monk who read his papers address him in English. But he did not have a chance to speak to him, since, as he entered the common-room, a monk came in with a huge Bible in his arms, mounted a pulpit which was at the end of the room, and began the service which the wretched outcasts had to endure as the price of their lodging. He and Strickland were assigned to different rooms, and when, thrown out of bed at five in the morning by a stalwart monk, he had made his bed and washed his face, Strickland had already disappeared. Captain Nichols wandered about the streets for an hour of bitter cold, and then made his way to the Place Victor Gelu, where the sailor-men are wont to congregate. Dozing against the pedestal of a statue, he saw Strickland again. He gave him a kick to awaken him.
"Come and have breakfast, mate," he said.
"Go to hell," answered Strickland.
I recognised my friend's limited vocabulary, and I prepared to regard Captain Nichols as a trustworthy witness.
"Busted?" asked the Captain.
"Blast you," answered Strickland.
"Come along with me. I'll get you some breakfast."
After a moment's hesitation, Strickland scrambled to his feet, and together they went to the Bouchee de Pain, where the hungry are given a wedge of bread, which they must eat there and then, for it is forbidden to take it away; and then to the Cuillere de Soupe, where for a week, at eleven and four, you may get a bowl of thin, salt soup. The two buildings are placed far apart, so that only the starving should be tempted to make use of them. So they had breakfast, and so began the queer companionship of Charles Strickland and Captain Nichols.
They must have spent something like four months at Marseilles in one another's society. Their career was devoid of adventure, if by adventure you mean unexpected or thrilling incident, for their days were occupied in the pursuit of enough money to get a night's lodging and such food as would stay the pangs of hunger. But I wish I could give here the pictures, coloured and racy, which Captain Nichols' vivid narrative offered to the imagination. His account of their discoveries in the low life of a seaport town would have made a charming book, and in the various characters that came their way the student might easily have found matter for a very complete dictionary of rogues. But I must content myself with a few paragraphs. I received the impression of a life intense and brutal, savage, multicoloured, and vivacious. It made the Marseilles that I knew, gesticulating and sunny, with its comfortable hotels and its restaurants crowded with the well-to-do, tame and commonplace. I envied men who had seen with their own eyes the sights that Captain Nichols described.
When the doors of the Asile de Nuit were closed to them, Strickland and Captain Nichols sought the hospitality of Tough Bill. This was the master of a sailors' boarding-house, a huge mulatto with a heavy fist, who gave the stranded mariner food and shelter till he found him a berth. They lived with him a month, sleeping with a dozen others, Swedes, negroes, Brazilians, on the floor of the two bare rooms in his house which he assigned to his charges; and every day they went with him to the Place Victor Gelu, whither came ships' captains in search of a man. He was married to an American woman, obese and slatternly, fallen to this pass by Heaven knows what process of degradation, and every day the boarders took it in turns to help her with the housework. Captain Nichols looked upon it as a smart piece of work on Strickland's part that he had got out of this by painting a portrait of Tough Bill. Tough Bill not only paid for the canvas, colours,