all I’ve got at the moment. Thanks for coming.”
“What do you mean ‘the death of cities’?”
“I don’t know. It’s a bit vague. I mean, on the one hand, it might be a pretentious title adopted by a man who spends too much time playing online fantasy games or an attempt to confuse and befuddle his opponents - in which case congratulations to him for a successful scheme! On the other hand, it might be exactly what it says on the cover. A walking talking thing in a pinstripe suit who is, quite literally, the death of cities. The embodiment of the end made flesh upon this earth, one of the riders of the urban apocalypse and so on and so forth. It’s just not clear yet.” We put our head on one side, stared straight into his eyes. “Are you going to stick around to help us find out?”
Now it was Kemsley’s turn to tense. “Tell us where and when, and we’ll handle the rest - if you’re not up to it.”
I pointed into Raleigh Court. “In there. Where Nair died. We’re looking for a safe house run by an individual called Boom Boom. The Executive Officer of a nightclub called Voltage who got a little bit scared of a guy in a pinstripe suit and agreed to help him kidnap a kid who liked to visit his club. That’s where the shoes went, by the way. They like clubbing. Pity the owner lacked moral fibre. And a heart. But anyway - somewhere in here, we hope, is the kid Mo. And that would all be fine and grand of itself, except, you may have noticed, this is where Nair got the skin peeled from his flesh. It’s number 53, top floor. Shall we meet you up there?”
“You know,” murmured Oda, “testosterone is one of the many ways in which God tests our natures - women, as well as men.”
“Sorcerer . . .” began Kemsley.
“I swear, I swear, the next person to call me ‘sorcerer’, as if I didn’t have a name and a small intestine, will get a sharpened pencil shoved firmly up their flared nostril.”
There was a slightly taken-aback silence. Then Kemsley said, “Mr Swift.”
“Yes?”
“Are you ready?”
“Sure.”
“Good. As Midnight Mayor . . .”
“You want me to go first?”
“No. I want you to stay as far back as you can.”
“With pleasure.”
They did the assault/SWAT thing. Rifles, corners, kneeling, standing, running, climbing, gestures - fist, two fingers, flap, twiddle - the whole lot.
We tried not to laugh as we trailed along behind. Even Anissina was playing along, pistol in hand. You have to have a lot of training to be a storm trooper, we concluded. It wasn’t just about learning when to duck and when to fire; it was about learning to take yourself seriously as you did it. I looked at Oda in the hope she was appreciating the humour. It was a naive look.
As council estates went, the interior wasn’t so bad. Someone had recently painted the stairs an unoffensive pale blue, and there was a general soft smell that I associated with my gran’s cooking and fat cushions on padded chairs, and the regular shifting of dirt by plastic brooms and warm soapy water. The troopers stormed the stairs; I shuffled along behind. Number 53 was, as promised, on the top floor, a long balcony punctuated by the occasional bike, kitchen windows and wilting geraniums. The Aldermen and co. clattered along to the green door, spread themselves out around it, and at a cry of “go!”, kicked it open with a heavy studded boot, and threw something in there that went snap! There was a burst of bright light and a high buzzing noise. I leant against the edge of the balcony and looked down into the courtyard below, wondering where Mr Fox had gone and if my furry friend was eating enough kebabs. The armoured men counted to three, then burst inside the flat, shouting impressive things like “clear!” or “go go go!” as they did. Oda said, “Gum?”
“You chew gum?”
“No. But I always carry it, to use as barter when visiting prisons.”
“Do you see how I’m not asking?”
“Smart. So, how scared are you?”
Inside I could hear the thumping of many heavy boots, the slamming of many light doors, the rattling of many, probably futile, loaded weapons.
“On a scale of one to ten?”
“If you insist.”
“Where one is ‘so doo-lally-happy I could jump off a cliff and whistle numbers from The Sound of Music on the way