a word. Abandoned her. And I have no doubt at all that Coll and Murillio took the charge seriously, with all the compassion for the Mhybe you do not seem to possess. Consider the situation from their point of view. They're taking care of her, day in and day out, watching her wither. They see the Mhybe's daughter, but only from a distance. Ignoring her own mother. They decide that they have to find someone who is prepared to help the Mhybe. Or at the very least grant her a dignified end. Kidnapping is taking someone away from someone else. The Mhybe has been taken away, but from whom? No-one. No-one at all.'
Silverfox, her face pale, was slow to respond. When she did, it was in a rasp, 'You have no idea what lies between us, Ganoes.'
'And it seems you've no idea of how to forgive – not her, not yourself. Guilt has become a chasm—'
'That is rich indeed, coming from you.'
His smile was tight. 'I've done my climb down, Silverfox, and am now climbing up the other side. Things have changed for both of us.'
'So you have turned your back on your avowed feelings for me.'
'I love you still, but with your death I succumbed to a kind of infatuation. I convinced myself that what you and I had, so very briefly, was of far vaster and deeper import than it truly was. Of all the weapons we turn upon ourselves, guilt is the sharpest, Silverfox. It can carve one's own past into unrecognizable shapes, false memories leading to beliefs that sow all kinds of obsessions.'
'Delighted to have you clear the air so, Ganoes. Has it not occurred to you that clinical examination of oneself is yet another obsession? What you dissect has to be dead first – that's the principle of dissection, after all.'
'So my tutor explained,' Paran replied, 'all those years ago. But you miss a more subtle truth. I can examine myself, my every feeling, until the Abyss swallows the world, yet come no closer to mastery of those emotions within me. For they are not static things; nor are they immune to the outside world – to what others say, or don't say. And so they are in constant flux.'
'Extraordinary,' she murmured. 'Captain Ganoes Paran, the young master of self-control, the tyrant unto himself. You have indeed changed. So much so that I no longer recognize you.'
He studied her face, searching for a hint of the feelings behind those words. But she had closed herself to him. 'Whereas,' he said slowly, 'I find you all too recognizable.'
'Would you call that ironic? You see me as a woman you once loved, while I see you as a man I never knew.'
'Too many tangled threads for irony, Silverfox.'
'Perhaps pathos, then.'
He looked away. 'We've wandered far from the subject. I am afraid I can tell you nothing of your mother's fate. Yet I am confident, none the less, that Coll and Murillio will do all they can for her.'
'Then you're an even bigger fool than they are, Ganoes. By stealing her, they have sealed her doom.'
'I didn't know you for the melodramatic type.'
'I am not—'
'She is an old woman, an old, dying woman. Abyss take me, leave her alone—'
'You are not listening!' Silverfox hissed. 'My mother is trapped in a nightmare – within her own mind, lost, terrified. Hunted! I have stayed closer to her than any of you realized. Far closer!'
'Silverfox,' Paran said quietly, 'if she is within a nightmare, then her living has become a curse. The only true mercy is to see it ended, once and for all.'
'No! She is my mother, damn you! And I will not abandon her!'
She wheeled her horse, drove her heels into its flanks.
Paran watched her ride off. Silverfox, what machinations have you wrapped around your mother? What is it you seek for her? Would you not tell us, please, so that we are made to understand that what we all see as betrayal is in fact something else?
Is it something else?
And these machinations – whose? Not Tattersail, surely. No, this must be Nightchill. Oh, how you've closed yourself to me, now. When once you reached out, incessantly, relentlessly seeking to pry open my heart. It seems that what we shared, so long ago in Pale, is as nothing.
I begin to think, now, that it was far more important to me than it was to you. Tattersail . . . you were, after all, an older woman. You'd lived your