O'Riley? Please come in. Oh, I do apologize."
"Aunt Coco - "
"This is Mr. O'Riley, Amanda."
"I realize that. Why the devil have you let him in the house?"
"The Mr. O'Riley," Coco continued. "The one Trenton called about this morning. Don't you remember - of course you don't remember, because I didn't tell you." She patted her hands to her cheeks. "I'm afraid I'm just so flustered after keeping you standing outside that way."
"Don't you worry about it," he said to Coco. "It's an honest mistake."
"Aunt Coco." Amanda stood with her hand on the doorknob, ready to pitch the intruder out bodily if necessary. "Who is this O'Riley and why did Trent tell you to expect him?"
"Mr. O'Riley's the architect," Coco said, beaming.
Eyes narrowing, Amanda studied him from the tip of his boots to his wavy, disordered hair. "This is an architect?"
"Our architect. Mr. O'Riley will be in charge of the renovations for the retreat, and our living quarters. We'll all be working with Mr. O'Riley - "
"Sloan," he said.
"Sloan." Coco fluttered her lashes. "For quite some time." "Terrific." Amanda let the door slam.
Sloan hooked his thumbs in his jean pockets and gave her a slow smile. "My thoughts exactly."
Chapter Two
"Where are your manners?" Coco said. "Here we are keeping you standing in the hall. Please, come in and sit down. What can I offer you? Coffee, tea?"
"Beer in a long-necked bottle," Amanda muttered. Sloan merely smiled at her. "There you go."
"Beer?" Coco ushered him into the parlor, wishing she'd had a moment to freshen the flowers in the vase and plump the pillows. "I have some very nice beer in the kitchen that I use for my spiced shrimp. Amanda, you'll entertain Sloan, won't you?"
"Sure. Why not?" Though she wasn't feeling particularly gracious, Amanda gestured to a chair, then took one across from him in front of the fireplace. "I suppose I should apologize."
Sloan reached down to pet Fred, who had followed them in. "What for?" "I wouldn't have been so rude if I'd realized why you were here."
"Is that so?" As Fred settled down on the rug between them, Sloan eased back in his chair to study his unwilling hostess.
After a humming ten seconds, she struggled not to fidget. "It was a natural enough mistake."
"If you say so. What exactly are these emeralds you figured I was here to dig up?"
"The Calhoun emeralds." When he only lifted a brow, she shook her head. "My great-grandmother's emerald necklace. It's been in all the papers."
"I haven't had much time to read the papers. I've been in Budapest." He reached into his pocket and pulled out a long, slim cigar. "Mind?"
"Go ahead." Automatically she rose to fetch an ashtray from across the room. Sloan considered it a pleasure to watch that out-of-my-way walk of hers, "I'm surprised Trent didn't mention it."
Sloan struck a match and took his sweet time lighting the cigar. He took an appreciative drag, then blew out a lazy stream of smoke. All the while, he was taking stock of the room, with its sagging sofa, the glistening Baccarat, the elegant old wainscoting and the peeling paint.
"I got a cable from Trent telling me about the house and his plans, and asking me to take it on."
"You agreed to take a job like this without even seeing the property first?"
"Seemed like the thing to do at the time." She sure had pretty eyes, Sloan thought. Suspicious, but pretty. He wondered how they'd look if he ever managed to get a smile out of her. "Besides, Trent wouldn't have asked if he didn't think I'd get a kick out of it."
Her foot began to tap as it did when she had sat in one place too long. "You know Trent well then?"
"We go back a few years. We were at Harvard together."
"Harvard?" Her foot stopped tapping as she gaped at him. "You went to Harvard?"
Another man might have been insulted. Sloan was amused. "Why, shucks, ma'am," he murmured, exaggerating his drawl, then watching her cheeks flush.
"I didn't mean to...it's just that you don't really seem - "
"The Ivy League type?" he suggested before he took another pull on the cigar. "Guess appearances can be deceiving. Take the house here for instance."
"The house?"
"You take your first look at it from the outside and it's hard to figure if it's supposed to be a fortress, a castle or an architect's nightmare. But you take the time to look again, and you see it's not supposed to be anything but what it is.