disappears behind it, slamming it shut.
My bladder screams at me for drinking the wine too quickly. I look around for the bathroom, hoping it’s in the same place as ours. As I reach for the handle, I hear Charlotte's voice muffled in the room next to me. My heart rate quickens. What the hell? I push open that door and come face to face with an almost empty void, all barring the far wall covered in photos and newspaper clippings, and a bed just above mine downstairs.
“Stay out of there or she’ll kill me.” I hear Charlotte's voice again so clear, it’s as if she’s in the room whispering. The sound is coming from the vent. I’m about to close the door and go down to kick Charlotte’s ass for being in my room when one of the images gains my attention.
My feet shuffle forward as I fight back tears. My nostrils flare, and my breathing becomes strained.
It’s me. When I was a child. Taken by the reporter who covered Jack’s disappearance. There are hundreds of articles about his father all cut out of the newspaper and pinned to the wall. My scars itch and burn when I see one of me at my mother’s funeral, black rose in hand. I didn’t know there were reporters there that day. I move to another image. Red circles around victim’s faces just like at the coffee shop. My hands tremble. I shift backwards, my legs working on their own accord. Wrapping a hand around my waist to stop from throwing up, I hit a wall and turn, stumbling away. Clark stands there, his brow furrowed, his mouth set in a hard line.
“You shouldn’t snoop,” he admonishes, and the world around me dims.
Oh god, who are you?
I try to keep my eyes trained on him while searching for a weapon in my peripheral. There’s nothing. I back up toward the window, hoping I can scream and be heard and seen through it. “Stop backing away from me. I’m not going to hurt you.” He grimaces, but I keep moving.
“What is this?” I ask, trying to keep him distracted from advancing on me. None of this makes any sense.
“It’s not what it looks like.” He sighs, holding his hand up like he’s trying to tame a wild horse.
“What does it look like?” I breathe.
“I can explain.” He moves closer, and I dart to the corner, holding my hands out in front of me. Fear and confusion shoot into me like bullets from a gun. Images flutter to the floor as my back crashes into the wall he’s created. Images of the slain women. He bends to scoop them up, and I use the chance to push him over and dart past him, my heart racing and head swimming. I make it to the front door before tripping over my feet in my haste to escape. I crash forward. A cracking pain explodes over my skull as I collide with the metal latch, slicing my head against the lock and stumbling backwards. My knees give way, sending me fumbling to the floor. My sight fades in and out, and the air around me whooshes. Crap.
He’s there, pulling me to my feet within seconds. My head swims. The color has drained from his face. He looks…worried for me?
“God, Lizzy, I would never hurt you. Please stop trying to run away. You’re bleeding.” He guides me with a gentle pull of my arm over to the couch and deposits me there before walking somewhere behind me. Warm rivulets of blood drip down my face, creating a mess. I calculate the distance and chances of me getting back to the door. “You may need a stitch.” He’s back too soon. My hope for escape flees. He frowns down at me as he places a wet towel again the wound. I flinch from the contact.
“Why do you have a picture of me on your weird wall of death?” My voice shakes. My skull throbs. I’m not sure if I’ll pass out.
He sits down on the coffee table in front of me, taking the towel with him. “I think I should get you to the emergency room.”
I swipe the towel from him and place it back on my head. “Just answer the damn question before I scream the place down,” I warn.
“I’ve been following the killings,” he says, like it’s obvious
“Why?”
“Because they’re replicas of the murders committed by Willis Langford.” My lungs seize. I gasp, but no air filters in.