across at Carnaki, who was packing up what appeared to be an electrical battery and an array of steel rods and wires into a rucksack, the purpose of which I could not imagine. Their eyes met. Then Carnaki nodded, very slightly, as if approving what Holmes had said.
"Because of what was revealed," I asked, stifling a terrible yawn, "about this . . . this blackmail that was being practiced? The young hound, to desert a young lady like that." My eyelids slipped closed. I fought them open again, seized by sudden panic, by the terror that I might slide into sleep and find myself again in that dreadful abyss, watching the horrible things that fluttered and crept from those angles of darkness that should not have been there. "Did you learn . . . anything of these studies they practiced?"
"Indeed we did," said Carnaki. And then, a little airily, "There was nothing in them, though."
"What did Miss Delapore bring you, then?"
"Merely a memento of the case," said Holmes. "As for young Mr. Colby, do not be too hard on him, Watson. He did the best he could, as do we all. I am not sure that he would have been entirely happy with Miss Delapore in any event. She was . . . much the stronger of the two."
Holmes never did elucidate for me the means by which he bridged the gap between his supposition that Viscount Delapore was engaged in kidnapping children for the purposes of some vile cult centered in Depewatch Priory, and evidence sufficient to make that evil man flee the country. If he and Carnaki found such evidence at the Priory—which I assume was the reason he had asked the young antiquarian to accompany us to Shropshire—he did not speak to me of it. Indeed, he showed a great reluctance to refer to the case at all.
For this I was grateful. The effects of the fever I had caught were slow to leave me, and even as much as three years later I found myself prey to the sense that I had learned—and mercifully forgotten—something that would utterly destroy all my sense of what the world is and should be; that would make either life or sanity impossible, if it should turn out to be true.
Only once did Holmes mention the affair, some years later, during a conversation on Freud's theories of insanity, when he spoke in passing of the old Viscount Delapore's conviction—evidently held by others in what is now termed a folie à deux—that the old man had in fact been the reincarnated or astrally transposed spirit of Lord Rupert Grimsley, once Lord of Depewatch Priory. And then he spoke circumspectly, watching me, as if he feared to wake my old dreams again and cause me many sleepless nights.
I can only be sorry that the case ended without firm conclusion, for it did, as Holmes promised me that night on the Embankment, show me unsuspected colors in the spectrum of human mentality and human existence. Yet this was not an unmixed blessing. For though I know that my fever-dream was no more than that—a fantastic hallucination brought on by illness and by Carnaki's own curious monomania about otherworld cults and ancient writings—sometimes in the shadowland between sleep and waking I think of that terrible blue-lit abyss that lies beneath an old Priory on the borders of Wales, and imagine that I hear the eerie piping of chaos rising up out of blasphemous angles of night. And in my dreams I see again the enigmatic Miss Delapore, standing before the chittering congregation of nightmares, holding aloft in her hands the skull of Lord Rupert Grimsley: the skull that now reposes in a corner of Holmes' room, wrapped in its red cardboard box.
Dynamics of a Hanging
by Tony Pi
Tony Pi has a Ph.D. in Linguistics and currently works as an administrator at the Cinema Studies Institute at the University of Toronto. At the time of this writing, he is a finalist for the John W. Campbell Award for best new writer. His work has appeared in (or is forthcoming from) Abyss & Apex, On Spec, Intergalactic Medicine Show, and the anthologies Ages of Wonder, Cinema Spec, and Writers of the Future XXIII. He is currently working on a novel manuscript about the shapeshifters who first appeared in his story "Metamorphoses in Amber," which was a finalist for the Prix Aurora Award.
Most people know Lewis Carroll (the pen name of Charles Lutwidge Dodgson) as the author of Alice's