gently demurred. There was no appeal from her decisions.
Two phrases usually formed the focal point of Flapping Eagle’s irritation. One was Livia Cramm’s. Whenever Deggle let drop some dark conversational flower from those saturnine lips, she would clap her hands excitedly, like a pubertal girl shown a naughty thing behind a rosebush, and exclaim (meticulously cultivated accent slipping in her transport) —Ain’t that the Deggle himself talkin’ to you. And she would look gleamingly pleased with the wickedness of the pun. At which Flapping Eagle clamped his mouth shut and stifled his thoughts.
The second phrase was Deggle’s own. He came and went his unknowable way, sauntering in and out of Mrs Cramm’s villa on the southern coast of Morispain, and every time he left, he would wave unsmilingly and say: —Ethiopia!
It was a complex and awful joke, arising from the archaic name of that closed, hidden, historical country (Abyssinia … I’ll be seeing you) and it drove Flapping Eagle out of his mind every time it was said. Ethiopia. Ethiopia. Ethiopia.
Deggle made Flapping Eagle wonder if he could bear his chosen fate.
He had been with Livia Cramm now, her personal gigolo, for twenty-five years. His reasoning was very simple: He had time, more than any in the universe but he had no money. She had a great deal of money and very little time. Thus, by sacrificing a small amount of his time he could very likely acquire a large amount of her cash. It was his most cynical decision, born of desperation, born from the future of dead possibilities that stared him in the face when Mrs Cramm had noticed him in Phoenix. He would have felt a great deal of guilt about it except for one thing: he did not like Livia Cramm.
Livia had been forty-five when she first met Flapping Eagle, and was then a ruined beauty of still-considerable sexual attraction and magnetism. Now, at seventy, the sexual attraction had gone. The magnetism had become an obnoxious, claustrophobic clinging. She clutched Flapping Eagle fiercely, as though she would never let go until he died on her as the unlamented Oscar Cramm had done so many years ago. In public her bony claws of hands never released him; in private she lay, her head eternally on his lap, gripping her own legs till her knuckles stood out whitely; in bed, she squeezed him with a strength so remarkable, it often left him winded. If she saw him speak to another woman she would descend upon them and in her cracked old tones deliver herself of a ringingly vulgar insult which sent the unfortunate female scurrying for shelter. Then she would apologize to Flapping Eagle, trying to look little-girl-coy (which was a sickening sight) and say: —I’m sorry, loveliest, did I spoil your fun then, did I?
There was no escape from Mrs Cramm.
Deggle had arrived on the scene comparatively recently: only eighteen months or so. This had made life even less supportable because Flapping Eagle was now no longer even the one who helped Livia decide the next step in her trivial, perpetually-dying life. He was just a symbol of her pulling power, male physical beauty incarnate, and thinking was no part of his duties. He was her refuge from the lonely blasts of antiquity.
—My Eagle never grows old, she would say proudly. Look at him: fifty-one (Flapping Eagle had lied to her about his age when they first met) and doesn’t look a day over thirty. Wonderful what good screwing can do.
Her politer acquaintances replied: —He’s not the only one, Livia. You’re incredible yourself, you know. Which had been the point of her comment. There were less and less of these acquaintances left.
Flapping Eagle’s only permitted source of regular human contact was, of course, Nicholas Deggle. And so cramped, so enclosed by the engulfing Mrs Cramm did he feel, that every so often he would make use of this source. He tried to tell himself that he treated Deggle as a social whore, in the same way as he was Livia’s sexual whore; but Deggle got the better of their exchanges too regularly to be so described.
Deggle reclined on a brocaded sofa.
—The issue is beyond doubt, he drawled. Livia Cramm is a monster.
Flapping Eagle said nothing.
—La Femme-Crammpon, said Deggle, and laughed, a shrill, falsetto noise.
—What?
—My dear Eagle, I’ve just realized. Do you know into whose clutches you have fallen? He was beside himself with laughter at his incomprehensible joke.
Flapping Eagle gave him his feed-line. —Go on. Tell me