to the fucking pub.’
I have the door open now, so there is a pathetic piece of push and shove in the porch–Hello, Booterstown! Tom, realising he is about to hit me otherwise, lifts his hands in the air. And there’s my answer, I suppose, to the question of his impulses and his actions, and the gap between the two. If I wanted to see it. Which I do not.
‘You can get the girls out in the morning,’ I say.
Because this is where all our grand emotions end up, at who does the pick-ups and who does the porridge–at least it used to, until I gave in and tried to save my marriage by doing the lot. Christ, I could get bitter.
‘What do you mean, “the morning”?’
I look at him, very hard. He lifts his hand to his lip, as though there might be something stuck there, which gives me the half a second I need to get over the threshold and back away from him down the drive.
‘Where are you going?’
‘I don’t know,’ I say.
And I go to the Shelbourne, on my credit card.
This is a mistake.
The place is full of people having a good time. They sit and drink and talk and laugh. They all seem bursting with it–whatever it is. With the whole business of being themselves. That guy Dickie Kennedy is drinking in a corner, and I remember the story about how he got his wife for ‘deserting the family home’. And he also got the home.
I should be wearing my light green tweed skirt, tight across the thighs–that would show them. I should be sitting here in one of those posh wrap dresses. This is what I think about, on the brink of my marriage (or is it my sanity) in the Shelbourne bar–I think clothes would make a difference.
I sit and sip a gin and tonic from a heavy glass, and I realise that there are a limited number of ways for a woman like me to go.
Two years ago, I had a letter from Ernest. He was writing to tell me that he was leaving the priesthood, though he had decided to stay with his little school in the high mountains. And his bishop might have a few things to say about this, so he had decided not to tell his bishop–he was, in fact, telling no one except friends and family (but don’t tell Mammy!) that it was no longer ‘Father Ernest’, but just plain old ‘Ernest’ again. Once a priest always a priest, of course–so he wasn’t exactly telling lies by keeping his mouth shut. ‘I have no place left to live but in my own heart,’ he wrote, meaning he would conduct his life as before, but on privately different terms.
And I thought this was the stupidest stuff I had ever heard until, sitting on a stool in the Shelbourne bar, I wondered what might happen if I just carried on as usual, told no one, changed nothing, and decided not to be married after all.
And I wondered how many people around me are living with and sleeping with and laughing with their spouses on just this basis, and I wondered how sad they were. Not very, by the looks of it. Not sad at all.
The last time I saw Dickie Kennedy was out in his amazing house in Glenageary. It must have been after Rebecca was born. And God he was a savage. ‘I see Brian’s got his hands full,’ he says, after some poor woman smoothes her skirt over a plump backside, because there seems to be no way she can reverse out of the room. We sit and listen to this stuff, and we eat mushroom risotto, followed by hake in a bright green sauce. The food is very good. Emer, the woman who made it all, has skin thickened to a hide by too much sun and too much cream. I am drawn to the V of her top as she shrugs, to see the whole business move and crease. She asks me some questions, and they are good questions, and I answer, and so the dinner proceeds to everyone’s satisfaction. She is really quite witty. She gets a bit drunk. She tells a story about a woman we all know who took off her top in Dickie’s office–the ugliness of her, you have no idea, the underwear–he came home shaking. And we all laugh. And then we go home.
Even Tom, in the car afterwards, gives himself