modification, and use your eyes, your head, more than any plan
Word of a Cursor in the Valley would spread among the holders like wildfire She might as well paint a circle over her heart and wait for an arrow to soar into its center A slow chill crawled through her He would kill her, now Fidelias had given her a chance, and she had made him suffer for it He would not allow himself to make the same mistake again Her teacher would kill her, without a moment's hesitation, if she got in his way again
"That's what I'm here to do," she whispered She started shivering again
Though she tried to tell herself that it was not fear coloring her decision, she felt it, tickling at her belly, racing with cold spider-fingers up and down her spine. She could not allow herself the luxury of openly invoking her authority and revealing herself to Fidelias. To do so would be to invite her own death, swift and certain. She had to remain quiet, as covert as possible. A runaway slave would be a far less unusual occurrence here at the frontier than an emissary of the Crown warning of possible invasion. She couldn't allow her identity to be known until she knew who she could trust, who could give her information that would let her act decisively. To do any less would be to invite her own death, and possibly disaster upon the Valley.
She looked down at the boy, her thoughts still in a tangle. He hadn't needed to come and help her the previous evening, but he had. The boy had courage, even if he lacked some more life-preserving common sense, and she had little choice but to be glad that he did. That said something of him, and in turn of the folk who had raised him. In his sleep, in his fever, he had spoken not to a mother or a father, but to his aunt, whose name apparently was Isana. An orphan?
Amara mused, and as she did, her belly rumbled. She rose to her feet and padded among the trees planted around the pool. As she expected, she found more than a few fruit-bearing trees among them. Gaius never acted with a single consequence in mind, when he could manage several at once. In creating this Memorium for his fallen son, he had raised a spectacular tribute to the Princeps' memory, reminded the High Lords exactly what power he commanded and provided a place of refuge for himself (or for his agents) all at the same time.
She picked fruit from the trees and ate, studying the area around her. Amara went to the statues. They had been armed with genuine shields and with weapons, the short, vicious blades of the Royal Guard, meant to be used in close quarters, to incapacitate or kill in a single blow. She slid one from its sheath and tested it. Its edge proved to be keen, and she returned it to its resting place. Food, shelter, and arms. Gaius was a paranoid old fox, and she was glad for it.
Her arm twinged as she slid the sword back, and she glanced at the dirtied bandage on it. She retrieved the knife from her discarded skirts and cut a fresh bandage from them. She dried it, first, near one of the fires, before cutting the old one off, cleaning the wound with fresh water, and applying
fresh wrappings. Something else tugged at her attention, but she pushed it firmly away. There was work to be done.
Amara moved quickly then, making sure the boy was sleeping peacefully. She gathered fruit onto one of the shields, using it as a platter, and rested it near him. She washed their clothing in the pool and used branches from the small trees to dry them over one of the other fires. She called upon the weary Cirrus to stand guard around the Memorium and to warn her should anyone approach. And when those chores were done, she found a smooth stone among the soil of the plants and used it to hone the edge of her knife.
That was when the tears took her. When the memories of years of instruction, conversation, of life shared with the man who had been her teacher came rolling back over her. She had loved him, in her own way, loved the danger of her work, loved the experiences he shared with her, loved the life to which she had been called. He