was at home.
They both declined dessert and ordered coffee. He would be expected to be in the office by nine each morning, Avery explained as he lit a Montesino. The secretaries would be there at eight-thirty. Nine to five, but no one worked eight hours a day. Personally, he was in the office by eight, and seldom left before six. "He could bill twelve hours each day, every day, regardless of how many hours he actually worked. Twelve a day, five days a week, at three hundred an hour, for fifty weeks. Nine hundred thousand dollars! In billable time! That was his goal. Last year he had billed seven hundred thousand, but there had been some personal problems. The Firm didn't care if Mitch came in at 6 A.M. or 9 A.M., as long as the work was done.
"What time are the doors unlocked?" Mitch asked.
Everyone has a key, he explained, so he could come and go as he pleased. Security was tight, but the guards were accustomed to workaholics. Some of the work habits were legendary. Victor Milligan, in his younger days, worked sixteen hours a day, seven days a week, until he made partner. Then he quit working on Sundays. He had a heart attack and gave up Saturdays. His doctor put him on ten-hour days, five days a week, and he hasn't been happy since. Marty Kozinski knew all the janitors by first name. He was a 9 A.M. man who wanted to have breakfast with the kids. He would come in at nine and leave at midnight. Nathan Locke claims he can't work well after the secretaries arrive, so he comes in at six. It would be a disgrace to start later. Here's a man sixty-one years old, worth ten million, and works from six in the morning until eight at night five days a week and then a half day on Saturday. If he retired, he'd die.
Nobody punched a clock, the partner explained. Come and go as you please. Just get the work done.
Mitch said he got the message. Sixteen hours a day would be nothing new.
Avery complimented him on the new suit. There was an unwritten dress code, and it was apparent Mitch had caught on. He had a tailor, an old Korean in South Memphis, he would recommend when Mitch could afford it. Fifteen hundred a suit. Mitch said he would wait a year or two.
An attorney from one of the bigger firms interrupted and spoke to Avery. He offered his sympathies and asked about the families. He and Joe Hodge had worked together on a case last year, and he couldn't believe it. Avery introduced him to Mitch. He was at the funeral, he said. They waited for him to leave, but he rambled on and on about how sorry he was. It was obvious he wanted details. Avery offered none, and he finally left.
By two, the power lunches were losing steam, and the crowd thinned. Avery signed the check, and the maitre d' led them to the door. The chauffeur stood patiently by the rear of the limo. Mitch crawled into the back and sank into the heavy leather seat. He watched the buildings and the traffic. He looked at the pedestrians scurrying along the hot sidewalks and wondered how many of them had seen the inside of a limo or the inside of the Manhattan Club. How many of them would be rich in ten years? He smiled, and felt good. Harvard was a million miles away. Harvard with no student loans. Kentucky was in another world. His past was forgotten. He had arrived.
The decorator was waiting in his office. Avery excused himself and asked Mitch to be in his office in an hour to begin work. She had books full of office furniture and samples of everything. He asked for suggestions, listened with as much interest as he could muster, then told her he trusted her judgment and she could pick out whatever she felt was appropriate. She liked the solid-cherry work desk, no drawers, burgundy leather wing chairs and a very expensive oriental rug. Mitch said it was marvelous.
She left and he sat behind the old desk, one that looked fine and would have suited him except that it was considered used and therefore not good enough for a new lawyer at Bendini, Lambert & Locke. The office was fifteen by fifteen, with two six-foot windows facing north and staring directly into the second floor of the old