keys. While she hunted through her purse, I picked them up from the chair where she’d dropped them on her way into the apartment. I had a feeling Chad’s phone was in that big shoulder bag of hers, but I was getting impatient to take off. If I couldn’t find a phone number for Tim Radke, the one friend whose name John and Mona knew, maybe I’d mug her and search her bag.
The door at the far end of the hall opened again as we waited for the elevator. If I’d actually believed in Chad’s innocence at this point, I would have talked to the watchful neighbor. The trouble was, I thought he was guilty. I was sloppy. It came back later to haunt me.
The storm had stopped when we finally got back downstairs. The building super was running a snowblower around the walks, and strewing salt, but beyond the building perimeter the snow was ankle-deep. I didn’t want to trudge through it carrying all the souvenirs I’d collected—Chad’s guns, his beer cans, his porn collection—so I waited at the curb while John and Mona went off to fetch the car.
When they dropped me at home, it was past eight. I knew I had to do something about the dogs. And now that I was away from the mess and tension in Mona’s apartment, I realized I was hungry as well. I was about to call Jake, to see if he wanted to walk up to Belmont for a snack, when my cousin phoned.
“Vic! Didn’t you get my messages?”
I’d turned my phone off when I was meeting with Mona and had forgotten to turn it back on. Petra had been trying to call all afternoon to say that Olympia was reopening the club tonight. Karen Buckley was going to do a special tribute performance in Nadia’s honor.
“I thought—I know they arrested that guy, that vet—but do you think you could come? Everyone’s so totally on edge, and Olympia is behaving strangely. It’s, like, something else is going to happen. I’d like you to be there—if you can, of course.”
I looked wistfully at my cozy living room and my dogs, who were panting hopefully in the doorway. “Petra, darling, on Friday I gave you my best advice and you ignored it. But let me repeat: You don’t have to keep working at Club Gouge.”
“Oh, Vic, I know, I know. I’m a pest. But you will come tonight, won’t you?”
Maybe I could talk to Karen Buckley. Maybe she would be more forthcoming after her performance than she had been at Nadia Guaman’s funeral this afternoon. I wasn’t too hopeful, but I told Petra I’d come down to the club after I’d run the dogs and eaten something.
“Oh, Vic, thank you, thank you. You’re the best!”
The best chump, she meant. I was more annoyed with myself than Petra. Why did I cave so easily to her demands?
I was worn out. When I finished taking care of the dogs, I lay down for almost an hour before heading back out into the cold.
13
A Show for the Dead
Despite the storm, the Club Gouge parking lot was crowded. Olympia’s marquee announced that the Body Artist was back for a special memorial performance in honor of Nadia Guaman, killed so tragically five days earlier. Olympia had put it out on Twitter, MySpace, YouTube, wherever the Millennium Gen gathers, and they’d responded in force. Oh, the dead do us so much good from the other side of the grave!
The room was almost full when I got inside. Rodney was planted in his usual spot, two-thirds of the way back from the stage. I squeezed into a spare seat at a crowded table near the back of the room where I could watch people as they came in. I didn’t see any of Chad’s Army buddies, which was a pity. I’d hoped they might show up to save me the trouble of trying to find them online.
Tonight, perhaps because of the short notice, there wasn’t a live act as a warm-up. The sound system was turned up loud, but we were listening to Enya’s Shepherd Moons, whose haunting melodies conveyed a suitable sense of mourning.
My cousin, working the far side of the room, caught sight of me. She hurried over with a glass of whisky. “Johnnie Walker Black, Vic, it’s on me. Thank you so much for coming.”
Olympia, standing next to the bar like a captain on the bridge of a ship, saw me then and swept over to