and was gone.
When the door closed behind her, Vianello said, ‘Don’t worry, sir. She doesn’t have a bed here. So she’ll go home eventually.’
10
Brunetti found a seat at the back of the cabin, on the left-hand side of the vaporetto, so his view was of San Giorgio and the façades on the Dorsoduro side of the canal. He studied them as he headed up towards San Silvestro, but his attention was far removed from Venice, even from Europe. He considered the mess that was Africa, and he considered the endless historical argument of whether it was caused by what had been done to the Africans or by what they had done to themselves. It was not a subject upon which he believed himself sufficiently expert to comment, nor one where he thought there was much hope that people would arrive at the kind of consensus that passes for historical truth.
His memory filled with images: Joseph Conrad’s battleship, firing round after futile round into the jungle in an attempt to force it to submit to peace; shoals of bodies washed up on the shores of Lake Victoria; the shimmering surface of a Benin bronze; the yawning pits where so many of the earth’s riches were mined. No one of these things was Africa, he knew, any more than the bridge under which the boat was passing was Europe. Each was a piece in a puzzle no one could understand. He remembered the Latin words he had once seen on a sixteenth-century map to mark the limit of Western exploration of Africa: Hic scientia finit: Knowledge Stops Here. How arrogant we were, he thought, and how arrogant we remain.
At home he found peace, or perhaps it is more accurate to say that he found a truce that seemed to be holding. Chiara and Paola talked as usual at dinner, and if the way Chiara packed away two helpings of pasta with broccoli and capers and then two baked pears was any indication, her appetite had returned to normal. Taking this as a good sign, he allowed himself to stretch out on the sofa in the living room after dinner, the smallest of small glasses of grappa on the table beside him, his current book propped on his stomach. For the last week, he had been rereading Ammianus Marcellinus’ history of the later Roman Empire, a book which Brunetti enjoyed chiefly for its portrait of one of his greatest heroes, the Emperor Julian. But even here he found himself drawn into Africa, with the account of the siege of the town of Leptis in Tripolis and of the perfidy and duplicity of both attackers and defenders. Hostages were killed, men were condemned to have their tongues cut out for speaking the inconvenient truth, the land was laid waste by pillage and slaughter. He read to the end of the twenty-eighth book but then closed it and decided that an early night would be better than this reminder of how little mankind had changed in almost two millennia.
In the morning, after the children had left for early classes, he and Paola spoke about Chiara, but neither of them was sure what her apparent return to normal behaviour implied. He also repeated his concern about the source of the opinion she had expressed.
‘You know,’ Paola said, after listening to him, ‘all these years the kids have been in school, I’ve listened to their friends’ parents respond to their kids’ bad grades. It’s always the fault of the teacher. No matter what the subject, no matter who the student: it is always the fault of the teacher.’
She dipped a corner of a biscuit in her caffè latte, ate it, and continued. ‘Never once have I heard anyone say, “Yes, Gemma’s really not very bright, so I understand why she didn’t do well in mathematics” or, “Nanni is a bit of a dope, you know, especially at languages.” Not a bit of it. Their children are always the best and the brightest, are perceived as spending every waking moment bent over their books, and into the lambent clarity of their minds no teacher has ever been capable of adding even the dimmest light or glimmer of improvement. Yet these are the same kids who come home with Chiara or Raffi and talk of nothing but pop music and films, seem to know nothing about anything except pop music and films and, when they can tear their attention away from pop music and films, do nothing except call