to his reputation. And when the impulse to come clean subsides, in weakness he is prepared to wait and hope it will all end, naturally and discreetly. Harry made the final decision about Eliot. He made all the other decisions too. But how long has he, along with Harry and Janice, concealed what they know about Eliot? How can the other two stand another day of it?
And today marks the time he most looks forward to – the week before the first Monday of term, starting a new academic year, when he gets his first sighting of the students. But his attempt at finding any of his customary enthusiasm fails. The sky is black with rain. Breakfast with his wife was tense. And again, like every other morning since Dante arrived, she asked him what was wrong and he refused to tell her, to explain why he slept poorly, gazed listlessly at the glowing television in the evenings, drank more than usual, and stayed up late to pace the carpet in the living room after she retired. How can he explain? Where does a civilised and educated man begin with this matter? It defies reason and taste and decorum. 'A few problems at work. Always hard seeing the budgets cut when your friends head the departments,' was all he offered his wife, and any of the others that ask after him.
It is a waiting game and Arthur doesn't like it. They have heard nothing from Eliot since his contract was officially cancelled, and he knows he can only relax if the action succeeds in forcing Eliot to leave town. Janice claims he has been living in his office for a week. Wearing the same clothes and drinking himself stupid. He accepted the news of his termination in silence; his face, she said, betrayed nothing. But the early-morning cleaners claim to have heard him ranting to himself, and sometimes he even breaks down. He is a suicide risk: Janice is convinced.
Confiding his fears in no one but Harry – who is impatient with the continual speculations Arthur indulges in to make sense of the situation – offers no relief. He no longer knows what world Eliot inhabits, or what exactly he has done. And at such a tense moment that will cancel their friendship forever, Arthur cannot rule out a reprisal.
He approaches College Gate. Housing his office on North Street, down from St Salvator's and the Quad, the building is the most solid symbol of the familiar and secure left to him. He nods at the security guard on his way into the foyer. His shoes squeak on the polished floor. The security guard smiles and then returns to his paper. It is a local and the headline reads CATTLE DISEASE CREATES CRISIS IN FIFE FARMING COMMUNITIES. Turning left along the ground-floor corridor, he approaches the General Administration area to collect his mail before beginning the afternoon's work in his office. It won't be long before some of the students begin applications for the hardship fund, he has a speech to prepare for the new postgraduate body, and he is in the middle of mediating three disputes between students and their landlords.
With a deep breath and a considerable mental effort, Arthur pushes Eliot from his mind and enters a large, open-plan office. It is shared by Personnel Services and his secretary, Marcia. When he enters the room, the secretaries and administrators fall silent over their coffees. Talking about me again, he thinks. He smiles and feels playful, eager for the distraction. 'Thank you for the flowers,' Marcia says from behind her desk, blushing.
One of the office girls titters. 'Did I make Jeff jealous?' he asks. His voice sounds too loud.
'You made him sweat. Your bouquet was bigger than his.'
'Well, everyone knows you're my other woman.' Arthur pauses to watch the grins appear on the four young female faces in the office. He winks in the general direction of the Personnel girls.
Marcia smiles and raises an eyebrow.
'If we had our time again,' he whispers, and allows the remark to hang in the air. He raises his mail from the in-tray.
'Oh,' Marcia says. 'That blue envelope on the top. The strangest young girl delivered it about an hour ago. She just waltzed in and dropped it in front of me. "It's for Arthur," she said. And can't say I cared for her tone.'
'Do I sense a little competition?'
'Is there something you're not telling me?' Marcia says, angling her face to one side, her