Asimovs Guide To Shakespear Page 0,197

sign of beauty, but the King says:

O paradox! Black is the badge of hell,

The hue of dungeons, and the school of night;

- Act IV, scene iii, lines 253-54

The phrase "school of night" is a puzzler. Some people think it is a misprint and that what is meant is that black is the "shade" of night.

On the other hand, some think "school" is what is really meant and that this is another of Shakespeare's partisan references. This may have referred to a group of amateur scholars who gathered together in a secret group to study the new astronomy that had arisen out of Copernicus' book in 1543, which held that the Earth moved round the sun and not vice versa.

Shakespeare never accepted this and, in fact, his view of science is always strictly conservative and medieval. The Copernican view was widely held to be against the Bible and religion, and therefore atheistic. The group of scholars would be, then, according to their enemies, a "school of night"; that is, one where devilish doctrines were taught.

Raleigh was supposed to patronize this wicked school, which, of course, gave the Essex faction a handle with which to strike at him.

... the true Promethean fire Berowne

survives the teasing and launches

into a long and eloquent defense of love.

Once again, he blames the King and the others for even trying to abolish love so that they might study undisturbed. Constant study will wither, while love will supply true inspiration. He says:

From women's eyes this doctrine I derive:

They are the ground, the books, the academes,

From whence doth spring the true Promethean fire.

- Act IV, scene iii, lines 301-3

The phrase "Promethean fire" harks back to Prometheus (the name means "forethought"), who was considered, in the Greek myths, to be one of the Titans, the race of divine beings who ruled the universe before Zeus and his relatives (the Olympians) won that rule by force.

In the war between the Titans and the Olympians, Prometheus foresaw that the latter would win and he was careful to avoid joining the other Titans or to do anything that would offend Zeus. He was therefore allowed to retain his freedom when the other Titans were condemned to Tartarus.

Nevertheless, Prometheus was still a Titan and he could not wholeheartedly be a friend of the Olympians. Recently created mankind did not have the secret of fire-which was deliberately withheld by Zeus. Prometheus therefore stole fire from the sun and brought it down to man.

Zeus punished Prometheus for this by chaining him to a crag in the Caucasus where an eagle (or a vulture) gnawed at his liver all day long. The liver regenerated at night so as to be ready for fresh torture the next day.

It is possible to consider Prometheus the embodiment of man's forethought or ingenuity-personified "inventiveness." The fire he brought man might be, symbolically, the light of insight and inspiration and that is what Berowne would mean by "the true Promethean fire."

Berowne's defense of love is in the tradition of courtly love that was developed in southern France in the mid-twelfth century and was associated with the troubadours. Eleanor of Aquitaine (see page II-209) was one of the first great patrons of such notions.

Courtly love had little to do with real passion or with sex but rather presented love as a kind of game to amuse an idle aristocracy, a game which consisted of complex rules of behavior, of love poetry, of exchanges of wit, of idealization of women-of everything but actual contact.

So Berowne speaks in grandiloquent phrases of love as an act of heroic aspiring to idealized woman, saying:

For valor, is not Love a Hercules,

Still climbing trees in the Hesperides?

Subtle as Sphinx;

- Act IV, scene iii, lines 339-41

For his eleventh labor, Hercules had to obtain golden apples from the garden of the Hesperides. The Hesperides were three nymphs who were descendants of Hesperus, the evening star. The name is from the Greek word for "west," since the evening star is always visible in the west after sunset. The Hesperides are thus the individuals to whom the garden belongs, but Shakespeare takes it to be a region in which the garden is located. Of course, Hercules must climb the tree if he is to get the apples, and the valor consists of doing so despite the fact that it is guarded by a fearsome dragon.

The Sphinx, in Greek mythology, was a monster with the body of a lion and the head of a woman. It was most notable for propounding riddles (hence

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